Natsuki Takaya Quotes
Quotes to Explore
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If you say one gets influenced watching a character, I think it's foolish. Cinema reflects society; society rarely reflects cinema.
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A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.
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I've always really liked the rhythm element of songs.
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I'm a 'Lost' guy, I love 'Lost.'
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Management innovation is going to be the most enduring source of competitive advantage. There will be lots of rewards for firms in the vanguard.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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Competition is a powerful and essential part of this nation's economy and vital to cutting government costs.
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Sell a country?! Why not sell the air, the great sea, as well as the earth? Did not the Great Spirit make them all for the use of his children?
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In the music world, concerts unfold strictly according to plan. But, as I'd been finding out, in the book world, things keep changing by the second.
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Prayer is an august avowal of ignorance.
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I grew up in a small place and left it when I was quite young and entered the bigger world.
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The best way to learn is live, in person, cooking, feeling, smelling and tasting, but TV is the second-best thing to that; it's a halfway facsimile.
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I'm a beer man. I tried to drink whiskey and Scotch, but I don't get it. It smells like a girl who didn't shower and just splashed a lot of perfume on.
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The philosopher has never killed any priests, whereas the priest has killed a great many philosophers.
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For me, as an actor, going from TV to film was interesting because TV and film are two very different things.
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The difference between 'lighght' and another type of poem with more words is that it doesn't have a reading process. Even a five-word poem has a beginning, middle, and end. A one-word poem doesn't. You can see it all at once. It's instant.
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Google worries - and rightly so - about how hard it is for a big company to come up with the next hot thing.
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I think the 20s are a vastly overrated decade. We promise kids that once they get out of school, life will begin and their dreams will come true. But then comes the struggle.
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Tired, tired with nothing, tired with everything, tired with the world’s weight he had never chosen to bear.
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Through my friend Tony Shafrazi, who's an art dealer and an artist himself - he helped to show Basquiat and Keith Haring, and has worked with the Francis Bacon estate - it was really through my friendship with Tony that I developed even more of an interest in art.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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Under trees, the urban dweller might restore his troubled soul and find the blessing of a creative pause.
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A novelist can’t be without a kimono and pen!
