Jules Michelet Quotes
Quotes to Explore
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I live on the same street as my family, actually. I live across the road. I'm a real family person!
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Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
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As football players, our bodies know exactly what time of year it is and what we need to be doing.
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I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
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I'm a professional, and I know what I have to do. I know where I've failed and how I've grown up.
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Making my class laugh and getting in trouble. I was the class clown.
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I loved the idea of somebody literally fighting for love.
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Going to parties usually makes me feel depressed, just because I have such social fear after meeting people.
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In the 1960s, and stretching back to the 1930s, it was felt by many economists that easy money is a reliable way to increase employment.
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All I ever wanted to do is to write stories that people will enjoy and feel at home with.
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I've been an actor now since freshman year of college, so it's 11 or 12 years.
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I am from Karnal, India.
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Vegetarians in general don't like me.
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Bears are very nice, as long as you are nice to them.
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I'd had 35 professional fights and mentally I was tired of it. I'd sort ot fallen out of love with the sport.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
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After I started being able to grow a beard, I was obviously done at Disney - until I'm old enough to be a parent or an annoying older brother.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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Our dreams are made of real things, like a shoebox full of photographs.
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I've seen my mother struggling, everything that she did to raise me and my brothers and my sisters, and I know the anger that she went through.
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You can't trust actors.
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Every epoch dreams its successor.
