Ernest Lehman Quotes
You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I am not an autobiographical writer.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I've basically worked as a journalist and a writer.
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I'm happiest when I can just be a director and watch.
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If a writer doesn't generate hostility, he is dead.
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The audience has always been my best director.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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There are three things that make a person a writer: inspiration, perspiration and desperation.
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If you are a good writer - and I think I am - you are able to handle any kind of group and imagine their lives.
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It seems to me that we often commit ourselves wholly to something while knowing almost nothing concrete about it. Another word for that, I suppose, is 'faith.'
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When I was a little boy, they called me a liar, but now that I am grown up, they call me a writer.
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I'm not like one of those actors who's a frustrated director.
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The secret of happiness is variety, but the secret of variety, like the secret of all spices, is knowing when to use it.
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I haven't given any thought to collaborating with my sisters. It would be great fun. My daughter Molly is a wonderful writer - someday I'd love to collaborate with her.
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I don't go around thinking about regret; regret doesn't consume me as a person... I'm not certain about whether any writer, any artist, any musician, can write without regret, so I don't think perhaps it's even particularly Southern.
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A catless writer is almost inconceivable. It's a perverse taste, really, since it would be easier to write with a herd of buffalo in the room than even one cat; they make nests in the notes and bite the end of the pen and walk on the typewriter keys.
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The shape the words end up taking are themselves the meaning of the words, they are retrospectively what we meant to say. There's no way of knowing this until you register it in visible form. But the other side of this is that you do have some idea of where you are going.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
