Esai Morales Quotes
I am tired of our characters being so incomplete. When do we ever save the day in a film? When does a Latino actor get to be the hero?

Quotes to Explore
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There was a lot of me trying to be a 'fixer.' I was that kind of guy. I'd meet someone who had 'so much potential' that needed 'help.' I think that was kind of my curse for a long time.
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One thing I really hate is experience. Experience for me doesn't work. Everybody's talking about experience this, experience that.
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It is not good enough for things to be planned - they still have to be done; for the intention to become a reality, energy has to be launched into operation.
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I have been involved with the USO really my entire life. The first show I did for the USO, I was nine years old.
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I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
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A lot of these guys in 'Fight Master' will compete in Bellator and in mixed mart arts for quite some time.
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I had formed a black movement, so I would speak for the Trotskyist movement and then walk about a hundred yards to where the black movement was speaking.
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I come from a dysfunctional family, so my views of parents and parenting used to be highly mixed.
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I'd say mostly I paint hot chicks.
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Like the winds that we come we know not whence and blow whither soever they list, the forces of society are derived from an obscure and distant origin. They arise before the date of philosophy, from the instincts, not the speculations of men.
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If you're in a major city, there's a 25-year cycle. In Vegas, it's probably 10 or 15 years, except for those landmark places like Spago or Nobu. In Vegas, you have to reinvent yourself once in a while.
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Charter schools are public schools that operate, to a certain extent, outside the system. They have more control over their teachers, curriculum and resources. They also have less money than public schools.
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My primary and secondary education was in French, which had a lasting influence on my life.
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White lies keep social dignity intact and are far more prevalent than most people realize. Several studies have found that an average person is lied to from 10 to 200 times a day - mostly just to keep a conversation going, to avoid conflict, or to establish a connection with someone.
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It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
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Palestine is the cement that holds the Arab world together, or it is the explosive that blows it apart.
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After fifty-five years of dedicating his life and work to the story of ethical systems, Sol Weintraub had come to a single, unshakable conclusion: any allegiance to a deity or concept or universal principal (sic) which put obedience above decent behavior toward an innocent human being was evil.
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I don't have an iPod.
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I wasn't paraded around for sale at all. My mother wasn't into that.
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When it came to 'Concussion,' I found myself with so many threads to weave. So integral to the whistle-blower's tale were spirituality, the cost of hero-worshipping, what it means to be an American, and just how dangerous the truth can be.
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I've tried to consider stories that I have read, making them into films, but they would turn out unnatural. If a producer wants that, he should call other people. Not me.
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When you have love in a story, it gives you the freedom to really take the characters to very interesting places.
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I am tired of our characters being so incomplete. When do we ever save the day in a film? When does a Latino actor get to be the hero?