Esperanza Spalding Quotes
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It's weird sometimes to have people not see me or see what I do.
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For what I can imagine and feel and think and hear, I can hardly do anything on the acoustic bass. It used to be just pure frustration of imagining so much more and being able to get to a certain level of execution.
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I just want to say, if you're going crazy, take a break. I felt overwhelmed by stuff that wasn't satisfying me, things I was supposed to do for my career. I stopped and said, 'Let me get back to the basics.'
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There's enough time in the day: If you go to bed at 10 and start your day at 6, there's a lot you can do in a day!
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You don't have to be fearless to do anything; you can be scared out of your mind. I fear that I won't get better and that I won't have time to practice. To be called a 'jazz musician' - it's a big responsibility.
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There's the juiciest music that makes me so happy, music that I need on that deserted island when I'm stranded for the rest of my life, and nobody cares that it's there.
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As you go back or move toward insights/ideas/events/words/lessons/mistakes in the past, you develop into the future from the present. I think that's pretty cool that two quote-unquote opposites are intrinsically linked. That whole theme of opposites being two sides of the same whole is a theme that's always been intriguing to me.
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Whoever you are, if you know what you're doing, you don't want other people to overtake the merit of your art.
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I love people, and I love to be with people and to make music with people, but my natural state is to revert back to being by myself in my house, which is cool because thats where I practice and write and listen and study.
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You can grow up with literally nothing and you don’t suffer if you know you’re loved and valued.
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And I feel that it's inevitable that the work that I do will reflect the life that I live. And the life I live feels very diverse.
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I'm realizing now that I was always really curious about inviting people into a space and sharing information that way. But I didn't have any context for it. It was just fun because I was homeschooled and lonely and bored, and I'd do things to get people to come over.
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When something in art or music piques my interest, I tend to go check it out, and most things I check out, I'm not very good at. But a few things I've gone to check out have given me back as much love as I gave them, usually much more.
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When I was a kid, people called me Emily rather than Esperanza, even though my full name is Esperanza Emily Spalding.
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I don't watch TV, I don't spend time on the Internet, and I don't party much. I don't text very much, either.
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What I'm identifying with is the vision or the idea - whatever was the little nugget that started it.
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I write at the piano, so I write things that fit comfortably under my hands, and I'm not thinking in terms of any specific compositional methods. I'm just seeking sounds.
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I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
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If you're a writer, and you write fiction, that's not all you read.
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People are more used to seeing men who are masters at an instrument than women. When people say, 'Oh, she plays like a dude,' it's usually dudes who are the ones saying it. They're saying, 'Oh, she's as good as us.' Of course, that's a stupid statement. It's totally stereotypical to say, 'We have an advantage on this, and if anyone else can do it well, it's only because they're like us.' I think more men are starting to learn that this attitude is totally hollow and based in imagination. As more women are involved in music, this kind of thing gets said less and less.
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There's a guy I used to pay to work with me who'd call me 'kiddo.' I said, 'There's nothing that justifies you expressing that to me, your boss.'
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I’m not gonna sit around and waste my precious divine energy trying to explain and be ashamed of things you think are wrong with me.
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When I was a kid, I was really curious about acting. And I was interested in movement and dance. I wasn't good at either of those things - I didn't work at those things.
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My earliest attempts at writing were when I was seven. I would sit at the piano and transcribe the songs I heard on the radio. I'd change little things in the music and write different lyrics.