Haruki Murakami Quotes
Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?
Quotes to Explore
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Everyone teases me in the family that I spend far too long chatting. So I think I've still got to learn a little bit more and to pick up a few more tips, I suppose.
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There is no one looking out for us. We are all alone.
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I never want to be anywhere else than in the rehearsal room. I mean, it's so lame to say, but it makes me supremely happy to work with people and to talk and invent and laugh.
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I don't know why, but I respond well to tortured characters.
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I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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I don't compose, actually. I just record. I'm the opposite of a composer in my way of working. I'm more instinctive.
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I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
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The desire of gold is not for gold. It is for the means of freedom and benefit.
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I love seeing women looking great in my clothes. I don't care who they are. I don't quantify people by celebrity.
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I wanted 'Hell or High Water' to feel like a road movie and an exciting, fun film - until it's not.
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I think the trick is figuring out how do we structure government systems that pool resources and hence facilitate some redistribution because I actually believe in redistribution - at least at a certain level to make sure that everybody's got a shot.
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I cannot say why I wanted to paint. The only answer is in the pictures themselves.
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The painter leaves his mark. And I just put in two statues in Rhode Island that I'm working on. And I think that's going to make me last longer than me. I mean, who remembers 'Zorba?' Nobody remembers 'Zorba.' Nobody remembers 'Requiem for a Heavyweight.'
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The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.
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I've always wanted to be a writer. Ever since I learned to read, I've wanted to share stories with others the way my favorite writers shared their stories with me.
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I've never really been a television watcher, so I never watch comedies.
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TV is the best. I wish that's how life was.
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I'm not comfortable singing in front of people yet. That's going to take another 100 performances.
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The first key to greatness is to be in reality what we appear to be.
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Out of Frederic Remington's Sundown Leflare graved on the mantel. Sundown and another mountain man cooked and ate their supper. "Then," says Remington, "they sat down with the greatest philosopher on earth - the fire."
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No man need go blindly to destruction, for God has given him guidance and power of seeing whither he goes.
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The Vice-Presidency is sort of like the last cookie on the plate. Everybody insists he won't take it, but somebody always does.
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Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?
