Michael Cohl Quotes
I am an arena creature - by birth, I think. Most of my life has been spent as a rink rat.
Quotes to Explore
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I have ideas that I think might be amusing, and I try them, and if they look right, I carry them out, and if they don't, I throw them out and try something else. I don't agonize about it.
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Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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I think I tried to separate indoors and out. And so when he beat me indoors, I did not see that as letting anybody down, I saw it as a good head to head competition, and so it was. It was fine.
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I think the mental victory is worth it as much as a gold medal.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I don't think I'm going to become Brad Pitt overnight, but I presume if walk down Oxford Street, there is a chance someone might clock me.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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Mr. Janet Reno? I think Mr. Janet Reno... I think he's one of the best hunting dogs in the world.
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It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.
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The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change; until we notice how failing to notice shapes our thoughts and deeds.
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I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
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I think I made essential a mistake in staying in movies, because I - but it's a mistake I can't regret, because it's like saying, 'I shouldn't have stayed married to that woman, but I did because I love her.'
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I can be extremely vulnerable. People are tough on me because they think I can handle it.
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The second time I was there I met Marcel Duchamp, and we immediately fell for each other. Which doesn't mean a thing because I think anybody who met Marcel fell for him.
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You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.
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I'd like to think you don't stop being creative once you get happy.
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I think I represent a more left-wing view of what jazz is.
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When I wrote my stories in elementary school, I signed them all 'Karen E. Bender' with the squiggly 'E.' I wanted, from an early age, to be a writer, and that name - that E - was a way of pretending I knew how to do it.
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We seek to create a united Democratic and non-racial society.
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Everywhere in my house are these little things that have meanings and make me think of great memories.
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Detroit in its heyday - let's say, 1920s to the '60s - was never a huge downtown-living thing. People lived in the neighborhoods.
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I am an arena creature - by birth, I think. Most of my life has been spent as a rink rat.
