Hasan M. Elahi Quotes
We don't know what the next generation of art is going to look like. We're kind of making it up as we go along. Not unlike the tech industry.

Quotes to Explore
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I'm trying to mix the cool, independent stuff with the big stuff, but it's been difficult finding the right roles. It's been an interesting ride as far as my career pendulum is concerned.
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I've cheated the Grim Reaper more times than anyone I know.
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I busted my chin open trying to be Evel Knievel on my bike. When it happened, you could see straight through to the bone, I thought my dad was going to pass out. It left a scar that I still have now.
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Something like a quarter of the founders that have gone through Excelerate and Techstars are women. I'm incredibly proud of that.
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I believe that one of the things Christianity says is that sound doctrines are all useless. That you have to change your life. (Or the direction of your life.)
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What happened with reggaeton is that many artists kept recycling the same sound. But there are a lot of reggaeton artists that are still in their prime - like Daddy Yankee - because they've chosen to continue growing, to offer people more than just reggaeton. That's where I learned to always be able to try something new and not be afraid.
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I can't establish the veracity of what people say because only they know whether they are telling the truth. I can't look into your mind, can I?
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There is no terra incognito left.
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I was born in Hong Kong and immigrated to the United States with my family when I was 4. I spent most of my childhood in Chicago. My elementary school had no program in English as a second language, so I was placed in a class for students with speech impediments.
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I think what's surprised me about the music industry is that you never know what's going to happen. I've had to teach myself that, because I love to know everything. I'm quite a control freak when it comes to stuff like that.
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There's a duality of a guy calling on God: 'Where are you when I need you?' and then, at the same time, 'God helps those who help themselves.' I think that contradiction does exist in all of us, those of faith and those who profess to have no faith.
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Every reign must submit to a greater reign.
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I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
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I thought about going onto the first one, Pop Idol. My mum was saying, 'Go on!' But I decided not to. 'The X Factor,' though, doesn't really seem to be a show about musical talent anymore.
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What helped was that my mother, even though we didn't have a lot of money... allowed me to take part in the Girl Scouts.
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I do recognize the most valuable work being done across the country is that work being done inside the four walls in our homes. And let us not forget how important the work of the mother and father are to raising responsible citizens.
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I've had mixtapes that have been better than albums I've heard from other artists. I take my time; I put my heart into it.
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When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.
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I do a lot of walking around in game parks, rain forests, places like that, but it's not like I'm camping in them as much as my day walks. I've done that all over the world, not like with a backpack on my back living out in the woods for several days. When I travel abroad, it's more the city that captures my interest.
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You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
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We have the loveliest women in the world in this county and wherever there are beautiful women there will be beautiful clothes. To show the American woman herself off to best advantage-that has always been my aim and that is my real biography.
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'Venus in Fur' is very Polanski: you have the knife of 'Rosemary's Baby'; you have Thomas disguised as a woman as in 'The Tenant,' when Vanda puts makeup on him, it's like 'Cul de Sac'; the dress of Tess and other details that are very Polanski. He fell in love with the play because it was so much him.
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When liberals insist that only fascists will defend borders, then voters will hire fascists to do the job liberals won't do.
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We don't know what the next generation of art is going to look like. We're kind of making it up as we go along. Not unlike the tech industry.