Yair Lapid Quotes
I want to do everything in my power to ensure the equality between all movements of Judaism in the state of Israel: Orthodox, Conservative, or Reform. In conversions, in budgets, in the eyes of the law. No one can claim ownership over the Jewish God.
Quotes to Explore
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You realise that having a number one record and being loved and adored isn't the most important thing in the world. But at the same time, I don't have a problem with it. What I'm trying to say is, I'm not a reluctant pop star.
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Tell people you're a Canadian or a Kiwi when you travel and they'll adore you.
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You can't tolerate anybody attempting to threaten or intimidate your body. You must respond with force.
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I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I would become a filmmaker instead of a student.
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I think 'Trial & Retribution' as a brand can go on forever. Its joy is that it has, to an extent, a formula, which gives a comfort routine for viewers. But we allow our directors total autarchy in putting their personalities on their stories.
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Law school and summer camp are the two experiences that inform pretty much all I do.
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One person goes off and works in Houston the other person goes off to London and you're on the phone to each other and somebody is paying you to kiss somebody else. It's very bizarre being an actor.
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My father has a general rule. He says if I haven't done it in real life I shouldn't do it on-screen.
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We have a George Foreman grill on the bus.
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I work all day, do research, sketch my ideas, prepare for performances.
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A lot of times people hide their quirks when they're first getting to know a person.
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Junooniyat for love but not necessarily from the romantic perspective. For me, that is for family, that is for my work. For me, both these things are very important, so there is junoon for people I love, which is my family, and my work, which I worship.
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Don't romanticise your 'vocation.' You can either write good sentences or you can't. There is no 'writer's lifestyle.' All that matters is what you leave on the page.
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I am not musically educated yet. I don't read - I make my own language that works for myself. But I play by ear.
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I probably spend the most time with Toews: we have the same schedule, and we're roomies on the road; we sit next to each other. We do a lot of promotions together.
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I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful.
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Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit.
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I always remember my childhood house with happy memories. There was a beautiful garden, and outside my bedroom window was a jasmine vine which would open in the evenings, giving off a divine scent.
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We care about margins.
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If the kids like it, my fans like it - whoever this music pertains to, if they like it, it's for them. That's what this art is for.
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Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
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I want to do everything in my power to ensure the equality between all movements of Judaism in the state of Israel: Orthodox, Conservative, or Reform. In conversions, in budgets, in the eyes of the law. No one can claim ownership over the Jewish God.
