Ryan Trecartin Quotes
Quotes to Explore
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.
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We lived in a flat that you could pretty much fit in my current kitchen. No wonder people drink! I can't understand why they don't throw themselves off the balconies.
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There's people making babies to my music. That's nice.
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People make the mistake of drinking the Kool-Aid, believing your own hype, letting people tell you you're this or you're that or you're too this.
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How did I go from 'Menace II Society' to 'Love Jones?' There wasn't a poetic moment or romantic bone in O-Dog's body.
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I was totally sober in college and really, really focused. I just took the time when other people might be partying and just made music and played at the party instead.
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There were people who had sampled my voice from speeches when I was an Islamist and made them the chorus of pro-Islamist rap songs who then began talking about me as an apostate.
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You'd think that people would have had enough of silly love songs I look around me and I see it isn't so Some people want to fill the world with silly love songs And what's wrong with that? I'd like to know 'Cause here I go again... I love you.
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You could never teach other people anything that mattered. The important things they had to learn for themselves, almost always by making mistakes, so that the lessons arrived too late to help. Experience was in that sense useless. It was precisely what could not be passed along in a lesson or an equation.
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The biggest threat to the Internet is, frankly, always going to be complacency. I want to see more and more of us activated and people thinking of themselves as defenders of it.
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It was always chaos with Mom, Dad, uncles, you know; we all lived in the same building. Dinner parties with 25 people every night.
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When I was a kid, there was nothing better than water balloon fights. I grew up in Brooklyn: we had the fire hydrants, and we would open up a soda can at both ends and squirt people walking by. I love the kinds of things that encourage you to let your guard down, be open and vulnerable, and just to be laughing sincerely.
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I'm just one of the lucky people. I have no other reason for my longevity.
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Thoughtful people of different political philosophies can disagree, but in a very agreeable manner.
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If people grow things themselves, their children understand, then schools in the area know that this community's generating something with its own energy, to consume.
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I don't live on other people's terms.
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For every step forward in electronic communications, we've taken two steps back in humanity. People know how to use a computer and answering machines but have forgotten how to connect with one another. Our society is unraveling. We're too self-obsessed.
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If the actor believes in the moment, the audience believes in it, too.
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People have no idea how hard football is, absolutely no idea. It's all about pace. You can say, 'Yeah, you've got speed of thought' - but you've got to have a little bit of a zip.
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But most scripts are terrible. Most projects are bad, that's just kind of the way it is. And I'm not really attracted to those.
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I want to change the pop world one sequin at a time. Artists tend to take themselves way too seriously and don't enjoy the fun of making an impact on culture. I just have a good time and sequins represent a good time.
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I see people as being what their personality is at the moment of expression.
