Rumi Quotes
For years, copying other people, I tried to know myself. From within, I couldn't decide what to do. Unable to see, I heard my name being called. Then I walked outside.
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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I don't know who took what. That is pretty private with an individual.
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I always knew would be some sort of artist, but didn't know what.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I met Arthur Ashe a few times. I know how important education was to him.
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Whatever you have a passion for, then you must do. If you want to write, write about something you know about.
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This I know; the spirit of Man cannot be stopped.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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I know what I've done, and I know who I am.
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I don't know if women are meant to run, especially after having kids.
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I think that most people don't even know that I do other things. They think that Homer is all that I do.
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I went to find myself and save myself by being an agent.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I am a Yankees fan. I should say - have been to more Yankees games than Mets games.
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I don't just train to be a participant. I train to come up big in big moments. That's when I know I've got to roll the sleeves up.
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I find that talking about myself is often the most boring thing in the world. Sixty per cent of interviews I find mechanical.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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The best way to get a sense of what kinds of emergencies might present themselves in your community is by contacting local chapters of the American Red Cross or offices of emergency management in the region or state. Most large cities will have their own offices of emergency management.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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You sit up there, and you see the whole gamut of human nature. Even if the case being argued involves only a little fellow and $50, it involves justice. That's what is important.
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We live in a technical society.
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For years, copying other people, I tried to know myself. From within, I couldn't decide what to do. Unable to see, I heard my name being called. Then I walked outside.
