Heidi Julavits Quotes
I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.
Quotes to Explore
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I'm a Muslim. I don't try to hide it. I'm also a girl who loves music.
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You do not need to have a 2,400-page bill come out of Washington, D.C.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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Being able to walk out of the studio after a week of intense recording and jump into a cold sea and sit in a hot spring and soak for a few hours completely resets the whole system. Really refreshing. For me, it's all about stepping out of the ordinary. Even psychically.
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If I'm confirmed, I'll be myself.
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If there's a rift in the marriage - if someone feels neglected, frustrated, tempted by others, or unsure - then trouble can easily arise.
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I'm really terrible with small children; they're small, noisy, irritating, damp and soggy.
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Is it not in the most absolute simplicity that real genius plies its pinions the most wonderfully?
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The presumption of innocence, the benefit of the doubt, walking without worrying - these should not be hallmarks of white privilege. They are human rights - human rights - that should be enjoyed by all.
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I come from a poor family, so really, the culture I know best is the street, TV, school.
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Horses know how to be loyal but still keep their distance.
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The function of leadership is to produce more leaders, not more followers.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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The quality of your work, in the long run, is the deciding factor on how much your services are valued by the world.
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Of all the novels I've written, my favorite is 'Mick Harte Was Here'.
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Of course, I have to consider that I've written a lot of prose, but I do in my heart think of myself as being originally, and still primarily, a poet.
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Sometimes you have to understand your place.
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With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters to love and hate.
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I try my best to learn from other people's mistakes. I have a lot of respect for people who can change.
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And that is ... how they are. So terribly physically all over one another. They pour themselves one over the other like so much melted butter over parsnips. They catch each other under the chin, with a tender caress of the hand, and they smile with sunny melting tenderness into each other's face.
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I love 'Trading Places,' but 'Coming to America' has one of the things I like to do - I like the multiple characters.
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Drama is easier to do because you just have to have the emotion and not get caught acting, but comedy is much harder.
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I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.
