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Los Angeles.
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The whole problem can be stated quite simply by asking, 'Is there a meaning to music?' My answer would be, 'Yes.' And 'Can you state in so many words what the meaning is?' My answer to that would be, 'No.'
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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If you want to know about the Sixties, play the music of The Beatles.
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A melody is not merely something you can hum.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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Inspiration may be a form of super-consciousness, or perhaps of subconsciousness I wouldn't know. But I am sure it is the antithesis of self-consciousness.
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The composer who is frightened of losing his artistic integrity through contact with a mass audience is no longer aware of the meaning of the word art.
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If a literary man puts together two words about music, one of them will be wrong.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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I hope my recordings of my own works won't inhibit other people's performances. The brutal fact is that one doesn't always get the exact tempo one wants, although one improves with experience.
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For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it-even of my own music-with the same nuances forever.
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I don't compose. I assemble materials.
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I adore extravagance but I abhor waste.