Eugene Delacroix Quotes
I have told myself a hundred times that painting - that is, the material thing called a painting - is no more than a pretext, the bridge between the mind of the painter and the mind of the spectator.
Quotes to Explore
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Feeling has as much to say as the words do. You can have the greatest words in the world and if they're not believable, they don't strike a chord and they're not said convincingly, it's not a great song.
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A baby comes with such responsibility. Once you become a mother, you always have a guilt trip. You always try to do the best, but you feel you can always be better.
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Being American and being an outsider at the same time, it's a perspective I often bring to a character.
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That attitude and toughness that we want to play with, that, to me, is the most critical thing.
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The Sunday School teacher talked too much in the way our grade school teacher used to when she told us about George Washington. Pleasant, pretty stories, but not true.
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I've always been a rough kid.
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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When people laugh at Mickey Mouse, it's because he's so human; and that is the secret of his popularity.
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Unfortunately, we can never truly know if we're making the right decision. What we do know is that wherever we are, that's where the Light wants us to be. It's the best place for us to be now. And as long as we don't try to control the situation, then we won't end up in the place we shouldn't be.
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Apparently God takes reception of Holy Communion seriously. Apparently some things are more sacred than politics. Apparently it's all or nothing when it comes to being Catholic.
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As far as expectations go, you can never work for expectations. You have to work against them.
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My chutzpah was me singing to Mario Lanza. So Mario looked at me after I talk-sang 'Be My Love' for the first time; he took the lyric out of my hand as contemptuously as you can take a lyric out of someone's hand, and he sang 'Be My Love' back at me.
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I'm very girly. I love to talk about diets, exercise, kids, make-up.
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You know, film is the ultimate goal in an actor's career. I mean, I still love TV. I have my feet firmly stamped in it. But my opportunities have been bigger and better.
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The debt limits have to come down. The whole world of debt has to be changed as far as this country is concerned. We have to create jobs and we have to create them rapidly because if we don't things are just going to head in a direction that's going to be almost impossible to recover from.
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I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
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Go ahead and have the Kit Kat at the movies. If you don't satisfy an urge sometimes, you often substitute less-satisfying things and end up eating more.
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There's an incredible amount of loneliness that comes with child stardom because you're isolated from your society.
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People are very afraid of any controversy. We've become very passive spectator types. And when the kids were protesting globilization - quite reasonably - they really got bashed.
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Maybe vagueness has been good for me. The word means two different things in Tokyo and Osaka, you know. In Tokyo it means stupidity, but in Osaka they talk about vagueness in a painting and in a game of Go.
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Would a watermelon in the midst of a chase sequence not be, in its own organic way, emblematic of our entire misunderstood enterprise? At once totally logical and perfectly irrational?
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Nature's first green is gold.
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Macrobiotic living is the process of changing ourselves so that we can eat anything we like without fear of becoming ill; it enables us to live a joyful life during which we can achieve anything we choose.
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I have told myself a hundred times that painting - that is, the material thing called a painting - is no more than a pretext, the bridge between the mind of the painter and the mind of the spectator.
