Eugene Ionesco Quotes
Quotes to Explore
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I was never one to sit down and write a plan for my future.
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The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
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The words of truth are always paradoxical.
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I grew up around old stuff that was not necessarily valuable, but certainly unusual.
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Circumstances give in reality to every political principle its distinguishing color and discriminating effect. The circumstances are what render every civil and political scheme beneficial or noxious to mankind.
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I'm very respectful in everything I wear. I think about it.
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No one wanted to be my friend because of my lunchbox - because I never shared my lunchbox. One day the principal walked in and said, 'No one is friends with Karan Johar; who will be his friend?' My CEO today put his hand up there and said, he will.
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I love being a part of something so many people can relate to and enjoy.
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In politics stupidity is not a handicap.
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By the time I was ten, everyone knew I wanted to be a producer. I was a very precocious little boy.
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People aren't autonomous creatures. They're under a lot of pressure themselves.
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My friends told me that it's the hardest thing to separate the personal life from their work.
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My mother would give my brothers and me a pile of catalogues and let us pick what we wanted for Christmas.
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Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
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The talk shows in the States want celebrities, not authors. In France, it is different; writers are called upon to comment on everything. They have a very public role there.
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I suppose I do think I go out of my way to be a very normal person, and I just find it frustrating that people think that I'm some kind of weirdo reclusive that never comes out into the world.
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I can have my goals, and I can have my dreams. My goal is to make the finals and improve my position. I want to run all decent races. I don't want to look back and say I ran a terrible race.
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I always felt myself to be an unlucky person like Donald, who is a victim of so many circumstances. But there isn't a person in the United States who couldn't identify with him. He is everything, he is everybody; he makes the same mistakes that we all make.
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We've had a lot of parents ask questions about the program.
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I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.
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I always felt that with an Antoine Doinel film, Truffaut was taking a vacation, that Francois could relax when making a Doinel film. All of the language came to him very easily. 'The 400 Blows,' I felt, was a collage of all his childhood experiences. Every time he felt an Antoine Doinel film was necessary, he'd make one.
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A creature undefiled by the taint of the world, unvexed by its injustice, unwearied by its hollow pleasures; a being fresh from the source of light, with something of its universal lustre in it. If childhood be this, how holy the duty to see that in its onward growth it shall be no other!
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Childhood is over the moment things are no longer astonishing.
