Ralph Adams Cram Quotes
In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.

Quotes to Explore
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Not really, drums found me, I just liked music, all kinds of music.
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Push your luck. If you see a pretty girl in a bar, say something.
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Since 1989, we have been deploying on an average of every 18 months.
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With freedom comes responsibility, and I can think of no responsibility greater than putting on a U.S military uniform and standing in the gap between an enemy threat and civilian life.
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I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
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I am a little older and understand the nature of the business - the older you get the more your skills supposedly diminish, but I think I am getting wiser in how to use my physical skills. That's the frustrating part when you put so much heart and desire into things and feel like you are not wanted.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I did every job under the sun from bartending to ushering to temping.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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Show business is fickle, and though I have been blessed with a healthy career, who knows how long that will last?
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Don't be afraid to convince yourself that your business is incredible, but don't expect others to be convinced without solid data to back it up. Ideas can be a worth a lot, but they are usually not. Execution is everything.
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I came from Yale, where you get an extracurricular degree in self-importance because you went there. When AIDS happened, I was treated like an outcast. And I don't like that feeling.
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Let the path be open to talent.
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I've now been in this country for thirteen years, since I was seventeen. So this is my second home.
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It's a blessing to have fans acknowledging your craft, period.
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It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'
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Adversity leads us to think properly of our state, and so is most beneficial to us.
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The fact that we're living in a country where 90 percent of the people want further gun laws - to maybe somehow put a dent in some of this insanity that's happening - and yet there's no further legislation taking place, it's very frustrating and upsetting.
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A woman is more than the sum of her parts. So I had an opportunity to present some work at the White House. I chose not just to talk about the sky, the planet, love or heartache. I wanted to actually be there, to place a mark on that moment.
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I am confined to the Lego palate. I don't paint the bricks. I stick with what Lego has made. And the idea behind that is I do want to hopefully inspire kids to go home and create on their own. And if I do, I want them to be able to buy those very same bricks I use. So I don't alter the bricks; I just use what's provided.
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Contractions, 'U' for 'you' and the like are wonderful to make communication brief and efficient - but we wouldn't want all our talk to be only brief and efficient. Taking pauses out of language would be like taking the net away from a tennis game. Where would all the fun go?
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When I found somebody who I fell in love with, it made me feel different than I felt the rest of the day. It was electrifying. That's what inspired the 'Off to the Races' melodies. That's one of the times when you're feeling electrified by someone else and they make you happy to be alive.
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In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition.