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J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it Westworld was going to be amazing.
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I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.
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I really fell for Marilyn Manson. I thought how awful it was that an artist like him could be blamed for something - someone who brings so much to the world and, if anything, probably comforts kids who are in pain by saying, "You're not alone."
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When people were very concerned about the violence against women, I encouraged people to stick with it because it was going somewhere and there was a reason why. It's all a commentary on gender roles and women and having to be the damsel or to stay on the ranch or to stay at home.
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I was always pale. And I'm glad that I can be open about my paleness now.
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Sexuality is such a taboo thing. I think it should be more out in the open, especially with young women. I think it's okay for them to explore their sexuality, as long as they own it and it's portrayed in the right way.
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And, look, I'm sorry if I have blond hair and blue eyes and my boyfriend looks like a vampire. What do you want me to do about it?
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I feel like maybe I'm going to be in with the robots because they'll see the show Westworld and think I'm one of them.
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I did my first nude scene in Mildred Pierce, and that was absolutely terrifying, but it was for an important part of the film and for a reason, and it's incredibly powerful. It's not gratuitous. I think the stuff they show on MTV is so much worse.
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All my life people have made fun of me because I was so skinny. They kind of made me feel bad about it sometimes. I worried that maybe people will think I am really anorexic.
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I always feel like one of the guys and very unintimidated.
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You don't have to take yourself so seriously all the time.
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There's really barely any sex in The Westworlds. But there is a lot of nudity. And it was always described to me as being done in a way that was supposed to be kind of sterile and mannequin-like and dehumanizing.
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I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.
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I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.
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I'm a big karaoke fan and I also love Justin Bieber unashamedly.
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The dancing was a challenge. It was fun, though. I was nervous, at first, because I danced so long ago that it was weird picking it back up.
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I think I did realize that early on, and then I went through a fun phase where I was figuring out who I was and the different sides of myself. I think like most women, I bought into a certain ideal of beauty that I didn't quite fit into, and I tried to pretzel myself and alter myself to be what I was told is beautiful, and then I realized that you are in control of what you think is beautiful.
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With bisexuality, there's so much out there in terms of what that means and there are so many definitions, and it's about finding out what's right for you.
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I've always had a real fascination with Alice in Wonderland and really related to it in some way. And since I was little, people always nicknamed me Alice, even total strangers. I do know I'm always in Wonderland. And I'm definitely just as curious. I don't mind being amongst the mad people, I enjoy it.
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I wasn't doing it to shock anybody or to be rebellious or to get attention making "Heart-Shaped Glasses" with Marilyn Manson. I was more proud of that than anything because it took a lot of strength and bravery to put myself out there like that. It was a risk. I'm glad that I did it because usually the best things I've done have come from the biggest risks. Thirteen was a risk and that was amazing.
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It was really the dream role, and when they first cast me, and I started playing Dolores in the Westworlds and all I knew was the analysis mode and her prairie-girl character, I thought, "Yeah, of course I can do this, and I'm good at it, but why did they pick me?" Not because I'm not capable, but I'm also kind of a tomboy, edgy, so I was curious.
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What's amazing about this show Westworld, and what it gives us permission to do, is to be kind of superhuman. Because at the end of the day, Dolores she's not a male and she's not a female. She's evolved past that. She's a very highly advanced being, and so I think it's really going to knock down a lot of stereotypes and a lot of gender roles and be a neutral party.
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Authentic and free. The Gucci guilty woman is about living in the moment. She's a modern woman, someone who really owns herself and her sensuality. It's supposed to be a very empowering and sensual fragrance.