Ivan Reitman Quotes
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.
Quotes to Explore
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Stage and film are just two wildly different animals. Why compare the two?
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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I'm extremely particular how my look should be in a film.
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Being in a Woody Allen film. I cherish it.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Some of the biggest movie stars in the world are essentially characters.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
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I was about 10 years old. I just remember the film Enter the Dragon with Bruce Lee blowing my mind on the screen and I thought to myself, "That's what I want to do for a living when I'm older." Bruce Lee was so magnetic and charismatic and held the screen so well. It's just a very powerful performance in that film. That's the first memory I have - him in that movie.
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In my writing with Extreme, there are heavy themes. The cover photo has me with a gun to my neck. I am not advocating suicide. I am taking the philosophy that man is the measure of his own fate.
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I didn't even enter a bookshop until I was 14 because I couldn't afford books until I got my first Saturday job, but by the time I was six or seven, I spent practically every Saturday down my local library reading as much as I could and getting out as many books as I could.
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I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.
