Ivan Reitman Quotes
I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.

Quotes to Explore
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Stage and film are just two wildly different animals. Why compare the two?
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Film has played such a big part in my life, in my impressions of the United States.
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Film is anti-language.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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I'm extremely particular how my look should be in a film.
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Being in a Woody Allen film. I cherish it.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Some of the biggest movie stars in the world are essentially characters.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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“It was not the size of things that mattered but their perfection, it was not what one had that was important, but what one made.
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After spending many years in Wall Street and after making and losing millions of dollars I want to tell you this: It never was my thinking that made the big money for me. It always was my sitting. Got that? My sitting tight! It is no trick at all to be right on the market. You always find lots of early bulls in bull markets and early bears in bear markets. I've known many men who were right at exactly the right time, and began buying or selling stocks when prices were at the very level which should show the greatest profit. And their experience invariably matched mine that is, they made no real money out of it. Men who can both be right and sit tight are uncommon. I found it one of the hardest things to learn. But it is only after a stock operator has firmly grasped this that he can make big money. It is literally true that millions come easier to a trader after he knows how to trade than hundreds did in the days of his ignorance.
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The lunatics have taken over the asylum and we can do anything we want.
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Why do people move? What makes them uproot and leave everything they've known for a great unknown beyond the horizon? ... The answer is the same the world over: people move in the hope of a better life.
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I've always believed in populating my films with characters who we like, who we have some warmth for, who have warmth for each other, who we would like to hang out with, who we emulate in one way or another.