Satyajit Ray Quotes
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed in the editing stage, most of my early films are flawed in the cutting
Quotes to Explore
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But the process of making a film is not glamorous. Certainly not my films.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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This is going right to the police. So, it's a very dangerous precedent.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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I will only do a Hollywood film when there is something special offered to me.
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I'd heard it was dangerous to walk around Miami.
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I'm extremely particular how my look should be in a film.
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It would be great to make a movie that had the style of a great '30's film.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
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Knowledge is Power, and it's very lightweight.
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He who seldom speaks, and with one calm well-timed word can strike dumb the loquacious, is a genius or a hero.
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Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed in the editing stage, most of my early films are flawed in the cutting
