Scott Glenn Quotes
That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
Quotes to Explore
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I wanted to be an author for as long as I can remember.
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I have an issue with rage. I'm going to work that out, long term.
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I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
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I don't even remember the last time I bought an album, honestly.
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When I first met Mandela, we did not discuss anything of substance; we just felt each other out. He spent a long time expressing his admiration for the Boer generals and how ingenious they were during the Anglo-Boer war.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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Surround yourself with people who provide you with support and love and remember to give back as much as you can in return.
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HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'
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Remember that nobody will ever get ahead of you as long as he is kicking you in the seat of the pants.
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I was very young during 'Chachi 420' and don't remember much now.
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I'm very much over my hair. If it was up to me I'd have cut it a long time ago.
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We live too long for one marriage.
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I have often wondered what it is an old building can do to you when you happen to know a little about things that went on long ago in that building.
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It is necessary to try to pass one's self always; this occupation ought to last as long as life.
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There are times when fixing things quickly is the only option: when you have to channel MacGyver, reach for the duct tape, and cobble together whatever solution works right now. If someone is choking on a morsel of food, you don't sit back, stroke your chin and take the Aristotelian long view. You quickly administer the Heimlich maneuvre.
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If I do have kids, I can't wait because I'm excited to go back to school to help them with their homework and remember how to do simple math. I think it's about staying curious and not losing the sense of wonder.
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He was not a runner, my father, but he was quick. I always remember it was very difficult to escape from him when he was angry. If he wanted to beat us he would always catch us. Even me, he could always catch me.
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Acting's more of a business for me now.
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To see my little brother Chandler outdoing me, it's great; I want to be able to cross-market and feed off his star power.
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I want to be my own person.
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Every writer uses his own way to motivate oneself.
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All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital, and allowed to live only so far as the interest to the ruling class requires it.
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The gods help them that help themselves.
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That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
