Sean Kingston (KiSean Anderson) Quotes
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I think a woman should be wholesome, voluptuous and sizzling!
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One's past is what one is. It is the only way by which people should be judged.
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No one should be left to suffer alone.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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No presidential candidate should visit Las Vegas without condemning organized gambling.
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An artist can be truly evaluated only after he is dead. At the very 11th hour, he might do something that will eclipse everything else.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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I'm extremely particular how my look should be in a film.
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How absurd and delicious it is to be in love with somebody younger than yourself. Everybody should try it.
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The responsibility of an artist is to be honest with themselves.
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No one can be an artist without a rich inner life.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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Hubris itself will not let you be an artist.
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I knew I wanted to be an artist, but I didn't really know what it was I wanted to say.
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I wanted to become an artist because it meant endless possibilities. Art was a way of reinventing myself.
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When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
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The great challenge working on this show for me is wearing polyester all day long and having the worst haircut known to man at the top of my head and sitting under fluorescent lights. That is America, people. Polyester, bad haircuts, under fluorescent lights.
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Half of me is this wacked-out comedienne who will do anything for a buck and a laugh. Well, at least for a laugh. But the other half is a lot darker, sadder and more pensive. It's the dark side that feeds the outrageousness and allows it to surface. I think that's true for anyone with comic flair.
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Those who do not have imaginary conversations do not love.
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The world is a library of strange and wonderful books, and sometimes we just need to go prowling through the stacks.
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I don't think an artist should keep themselves categorized in a specific box.
