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We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world.
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The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.
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We need to think on a broader plane, we need to do more than we're doing.
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Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.
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Independent dance - and, fine, it's a very good thing that it remains independent - is a much tougher life: all dancers expect that, and accept that there will be periods of not being able to work, provided there are choice moments during the year when they really can work.
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One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline.
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What we do now is to be valued - but we need to do more, so that it's more exciting to other people, and therefore that excitement shines back on us and we're able to have the energy to do more, to widen our creativity.
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On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.