Sonny John Moore (Skrillex) Quotes
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
Quotes to Explore
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Music is made up out of these building blocks. Studying how these blocks go together and what they consist of and the math of how it works - it's all the same stuff; it's just different aesthetics that we're talking about.
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My specialty is two things: music or really strange stories.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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It's my job to make sure that the people I'm gonna team up with for my music see everything that I'm about: Put all my cards on the table and don't make them guess.
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I don't listen to my old music of Vanity's unless I have to hear it playing in a mall or something place like that.
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I just do what I'm here for and that's to make that music.
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I have goals and ambitions, and I see myself as a lifelong baseball student. I have certain philosophies that I'd like to test at some point at the big league level. The job of manager appeals to me, a coach appeals to me, at a different time frame.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
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Our lives and our culture have been significantly changed and improved by hardware, software, and services developed by immigrants.
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As we know, all sports evolve tremendously, and our sport is no different. It's really not the same thing at all as it was in 1972. It's a different type of horse we're using. The style of riding is quite evolved, the way the courses are built, the materials used... it's virtually unrecognizable.
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Every director's so different. Everybody has their own modus operandi and I love getting to know different directors in the way they work. David O. Russell is very exciting to be with because he's got a mind like quicksilver.
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I don't like the idea that in music, clothes, taste or anything, we are limited to a certain style, because we need to maintain an identity, maybe between some subculture group. Hopefully, all those walls break down, and music is just music.
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Michael John's music is soul-stirring. It gets inside the deepest part of you; it's almost a chemical reaction.
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That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.
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Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
