Spalding Gray Quotes
Quotes to Explore
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Without vanity, without coquetry, without curiosity, in a word, without the fall, woman would not be woman. Much of her grace is in her frailty.
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I had the good fortune of having a happy, closely knit family.
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I think my father was somewhat disappointed in not having had a son, and in that way I was the nearest thing he had.
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Religion is absolutely unfathomable. Always and everywhere one can dig more deeply into infinities.
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I like heels and make-up.
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My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.
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The most important thing that I've figured out is that things work out the way they're supposed to. We try to have all this control and fashion things the way we want, but everything happens for a reason, and in the end it works out the way it's supposed to.
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Exhibitions are kind of ephemeral moments, sometimes magic moments, and when they're gone, they're gone.
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When a child is bruised physically or emotionally, parents often reward him with a treat.
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The album is never finished until it's on the shelves!
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The power to investigate is a great public trust.
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I had this idea that the coolest thing that could happen to you was talking with God. My father was always talking about God, and I idolized my father, so I'd spend hours trying to have mental telepathy with God.
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I'm still pulled over... We were nominated for two Oscars for 'Monster's Ball,' and I almost didn't make the Oscars because I got pulled over in Beverly Hills.
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As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
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The most dangerous fundamentalists aren't just waging war in Iraq; they're attacking evolution, blocking medical research and ignoring the environment.
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I was always interested in baseball. In fact, in my younger years, I played it in an amateur way. But up to the time when I became identified with the Yankees, I was a strong National League rooter.
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The only thing an actor owes his public is not to bore them.
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There's been lots of theater that uses hip-hop in it, but more often than not, it's used as a joke - isn't it hilarious that these characters are rapping. I treat it as a musical form, and a musical form that allows you to pack in a ton of lyric.
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My job, originally, was to write blog posts for their 'HubSpot' blog. They have a business model built on content. Then I was writing e-books for them, and after I came back from L.A., they had this new plan to launch a podcast.
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Be who you are and not who someone else thinks you ought to be.
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Do we change every time we have a new encounter? Are we endlessly mutable? I think these are fascinating questions: it's a rich vein to tap, and I don't think I have exhausted it fully yet.
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We've got to fight against bigness. If a school gets too large, you lose an intimacy with the students; they begin to feel they're just part of a big complex. I don't think you can create too well in a big plant. That's why I always tried to avoid bigness in the studio.
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And the word spread of Billy the Kid.
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I think of New York as a puree and the rest of the United States as vegetable soup.
