Walter Benjamin Quotes
Only a thoughtless observer can deny that correspondences come into play between the world of modern technology and the archaic symbol-world of mythology.
Quotes to Explore
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Awards don't really mean much.
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I love to come in and play with a wig or glasses or clothes. I love using props. I'm from the Peter Sellers school of trying to prepare for the character.
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I was vegetarian for a long time, and in the last four years I started eating chicken and fish. I feel like it really built up my strength a lot.
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The problem men seem to have, and women, too, is that they have this very structured idea that we should find a partner and settle down and be, you know, faithful. And yet clearly this is really, really hard for anybody to do!
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I always feel the danger because you might always be subject to an unexpected or emergency event.
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I love Coco de Mer.
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In any work you do, you can be profound one minute, and then you be superficial the next, and you can be smart and insightful and then insipid. There can be room for all that.
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I'm not the type of person that is forced.
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I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.
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A man will turn over half a library to make one book.
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Acting is my first love, and that's my main career, it really is.
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I'm competitive. I don't like to lose.
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I want to have a long career.
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I adore Bette Davis and Vivien Leigh, but more because they were good actresses. That's what makes me interested in them, that they didn't present themselves as idols; they were just doing their jobs.
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My job as the actress playing Hanna Schmitz, as the actress playing any part, is to understand the character, and to ultimately love the character. And I did love Hanna, absolutely, because I understood her as profoundly as I did at the end of the day.
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When I was very little my mother said I used to draw in the air with my fingers. I needed a pencil. Once I could hold one, I have drawn every day since.
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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I will say that the food in both Japan and Italy was immaculate. I don't remember having bad food in either country.
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Ein Künstler ist, wer sein Centrum in sich selbst hat. Wem es da fehlt, der muss einen bestimmten Führer und Mittler ausser sich wählen.
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I try never to get too high when things are going well. I try never to get too low when things are going poorly. I try to keep an even keel.
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Yu Na Kim, Mao Asada, Carolina Kostner - all these girls can do triple-triples in their sleep, and they have the skating skills and the spins and the rest of the technical jumps. So I have to have that as well if I want to be able to call myself 'competitive' against them. And when I say 'competitive,' I mean I want to win.
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I read 'Backstage' a lot when I first was unleashed into the world from drama school. And what was great about it was that if I was using it or not, it was just nice to know what was happening in my community.
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Because in the midst of happiness there is always a seed of unhappiness; it consumes itself like fire--it can't burn forever, sooner or later it must die; and this presentiment of the end destroys my happiness when it is at is height.
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Only a thoughtless observer can deny that correspondences come into play between the world of modern technology and the archaic symbol-world of mythology.
