Stephen Curry Quotes
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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And also, I know I have this responsibility or mission to show people, to encourage them to live their dream, too.
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I stayed three weeks in Paris, fell in love with the city, and decided that I was born to live in Paris.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I'm not the sort of person who wants to live my life doing just one thing. I like to go around and do as many things as possible.
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If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I live my life by these little church signs you see as you drive around, and there's one near me that says, 'If we really knew each other, we would neither idolise nor condemn.' And that's it: if we all knew each other, then we wouldn't treat anybody any different. And there wouldn't be any big stars, I guess.
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I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
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Gentrification always makes me laugh. People complain about traffic. Live in Atlanta! You can't have it both ways; you can't live in an incredible city and not expect it to get congested.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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I feel like I know so little, and I just hope I get to live so long. I came to puberty late; it's all been late.
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I want simply to learn about the world and live freely.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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I live in Canada in the summer and some time in the fall.
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I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big deal.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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The industrial peak of a people when its main concern is not yet gain, but rather to gain.
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You don't have to live anybody else's story.
