Stephen Fry Quotes
Quotes to Explore
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Culturally, the First World War is the war that stands in for other wars.
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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Back in the day, I used to read 'Archie,' but I haven't been a comic book aficionado.
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When Scorsese or Coppola cast celebrities in their work, it goes without question.
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It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?'
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My films are personal-voice-driven films about human characters and the place we live. Technically, I'm an independent filmmaker.
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The mark of higher education isn't the knowledge you accumulate in your head. It's the skills you gain about how to learn.
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I'm holding onto the hope that there is some reason that I got cancer and there is something – that may not be very clear to me right now – but that I will do.
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If it's accessible by hundreds of millions of people, then it's as mainstream as it gets.
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The point of jazz is, you do something and then you go on.
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You can close more business in two months by becoming interested in other people than you can in two years by trying to get people interested in you.
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At school I used to avoid dance lessons. They were the worst.
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The 'punch' of a truly weird tale is simply some violation or transcending of fixed cosmic law - an imaginative escape from palling reality - hence, phenomena rather than persons are the logical 'heroes.'
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It's an important point to make that people can't just be invalidated, eradicated, because they don't fit tidily into a box. And more and more, the modern world is all about conformity.
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When I work, I work. I don't think about anything else. I just wanna get the work done. And I'm a perfectionist.
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And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'
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In times of uncertainty, employees crave clarity. As a leader, you won't always have all of the answers - no one expects you to - so you must be open to listening and learning from others. Once you understand a particular challenge and outline the options, you have to be confident in making bold and optimistic decisions.
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All businesses need images to sell their products and services.
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I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they're not. They're not out there waiting. They're not gonna use their intelligence on your book.
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It would have been a hard year if I'd spent it berating myself for not working on the book.
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I grew up here, and it's always been a very diverse community. So for people to come out and say that there's some long-standing anger or there's a history of racial tension is absolutely ridiculous. There's not a black-white divide in Ferguson.
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A book is judged, not by its reference to life, but by its reference to other books.
