Iggy Pop (James Newell Osterberg Jr.) Quotes
I never believed that U2 wanted to save the whales. I don't believe that The Beastie Boys are ready to lay it down for Tibet.
Quotes to Explore
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After my hip operation, I had to cut out butter, which I loved, and salt. I no longer eat desserts with lots of cream, and I've cut right back on alcohol.
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I think it's less common in France that a man at the age of 50 buys a Porsche and gets a young girlfriend.
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The World Bank can only survive if it's spending money.
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You can't leave the thing that you are, the house that has become your biography.
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The pace of television is very different from film.
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As a child, I always wanted to be an actor. But as I grew older, the acting dream kind of faded away, and I took to studying a lot. A few years later, a relative of mine who really wanted me to try my hand at acting sent my photographs to a few production houses, and like they say, the rest is history.
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We have a world minus a whole lot of talent that has stepped out of contention for leadership, only because they don't want to seem too aggressive, too smart, unattractive, or too male.
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Introspection, or 'sitting in the silence,' is an unscientific way of trying to force apart the mind and senses, tied together by the life force. The contemplative mind, attempting its return to divinity, is constantly dragged back toward the senses by the life currents.
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Revolutionaries do not make revolutions. The revolutionaries are those who know when power is lying in the street and then they can pick it up.
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I grew up on Marvel and, like, '2000 AD.'
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An ounce of action is worth a ton of theory.
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You get in before sunrise and you get out after sunset and you go home, eat and collapse. While you're aware of the ratings, you aren't prepared for the response of the fans.
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When I think of influential females in hip-hop, my mind goes to Foxy Brown, hands down.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I make work not to give answers but to question things.
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Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
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But I don't like to, tell people how old I am. I like that to be a mystery.
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The funniest people I know were, not necessarily troubled, but had a harder time in school or were shy or picked on or something like that. I think that you rely on it. 'Well, I don't think I'm cute and no one wants to hang out with me - I'd better start trying to make people laugh.' I think there's an element of that in there.
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One of the strongest motives for wishing to work on yourself is the realization that you may die at any moment - only you must first realize this.
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We suspect it might be extended because of the severity of the storm, but we don't know that.
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It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.
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We didn't rehearse or play the songs to death before we recorded them, and that let us catch a freshness and energy level we've never really felt while making records.
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I believe that any single dream contains the essential message about our existence.
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I never believed that U2 wanted to save the whales. I don't believe that The Beastie Boys are ready to lay it down for Tibet.
