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In journalism, as in politics, other people's lives are a currency to be bartered on behalf of notoriety and influence.
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Often a performance can be judged not by a movie's strongest moment but by its weakest, especially when it's the picture's crucial scene.
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Slavery was the betrayal of the American Promise at the moment that promise was made.
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In the culture at large, the war over science fiction's creative validity has been long since won, but guardians at the gates of literature, movies, and TV linger unconvinced, even as other genres fitfully transcend critical perceptions of insubstantiality.
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When people start yammering about artistic responsibility, artists become wary. The subtext of such talk is that the arts need to be regulated, which is to say censored.
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There's no rule that we have to like the characters movies are about.
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Condemning art as manipulative is a non sequitur, of course. All art is manipulative.
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Dream is only a memory of the future.