Steven Spielberg Quotes
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My father had many, many veterans over to the house, and the older I got the more I appreciated their sacrifice.
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I go out and look for a good story to tell and if I like it enough and I decide to direct it, I become dangerously involved in becoming a part of that story.
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I missed my dad a lot growing up, even though we were together as a family. My dad was really a workaholic. And he was always working.
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I love history, so I do a lot of movies about history.
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When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
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Only a generation of readers will span a generation of writers.
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The essence of what it is to be American is the deep moral urge to be free, to freely express yourself and have the right to do so, and to look at all people as equals.
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Unprotected sex just feels better in a Waffle House bathroom.
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When you listen, you learn, You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
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I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
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I don't really have a schedule of when I want to show my children my movies.
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Once scouting fully opens its doors to all who desire the same experience that so fully enriched me as a young person, I will be happy to reconsider a role on the advisory board.
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The animal has no intellectual capacity to justify or to find reasons to exist. An animal just exists because it's the natural thing to do.
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I think that the perceived downs in my own career come from just managing my time and not feeling that I have enough time for my family or my friends. You could put that in the personal life category but it's all one category because I've got to balance my family.
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There are three movies that I am exceptionally proud of in my life, and I rarely commit to a list of films that I like, that I've made... but these are the three films that I was passionately connected to. The first was 'ET,' the second 'Schindler's List,' and third is 'Saving Private Ryan.'
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All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
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If the movie does well, or it doesn't do so well, some movies get great reviews, some movies don't... that's just part of what I do for a living. I just move through all that; that doesn't ever stop me.
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I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
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I've been told that I'm a very different person on the set than I am in postproduction when the movie's over and I'm editing, in that I get so wound up in the film that I become selfless to the point where I lose too much weight.
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The greatest films ever made in our history were cut on film, and I'm tenaciously hanging on to the process. I just love going into an editing room and smelling the photochemistry and seeing my editor wearing mini-strands of film around his neck.
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I'm not a great man to my children. I'm just 'Pop.' The more involved I am with my kids, it keeps my head flat on top.
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In the whole history of movies, there has been nothing like Kubrick's vision. It was a vision of hope and wonder, of grace and of mystery, of humour and contradictions. It was a gift to us, and now it's a legacy.
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I had to get over my fear of running through the world naked and learn to say 'take me or leave me.'
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I can't describe it, what I'm feeling and what I'm thinking. This means something. This is important.