Stockard Channing (Susan Antonia Williams Stockard) Quotes
When I was younger I thought I was an artist, and inspiration would just come to me.
Quotes to Explore
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I've fallen victim to worrying about what everybody thinks. It's never going to be that everyone is happy. You just gotta know what you like and go with it.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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I came into the rap game in 1992; my life was changing, but my group wasn't successful; I also saw the biggest rappers in the world die all of a sudden in the ensuing years, so it was a matter of conquering yourself before you can conquer the world.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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That's why I think the 'Scarpetta' series has worked so well because people like spending time with this character.
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Love is the only reality and it is not a mere sentiment. It is the ultimate truth that lies at the heart of creation.
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I had a weirdly awesome high-school experience.
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I had never danced all my life until I shot for my first song in 'Chirutha.'
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I was a big 'Blue Valentine' fan. I really loved that movie. And I thought the performances were just unbelievably real, which is certainly what I always strive for in my work.
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It took me forever to leave Chicago. I went to Columbia College because I wasn't ready to leave! My professors had to kick me in the pants to move to Los Angeles.
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I've gotten used to being Frank Ocean.
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It was a mistake. I was wrong, but I discovered this many years later. I was acting on the basis of this mandate given me by the most important leaders of the world: President Bush's father, prime minister of France, President Mitterand, the Chinese, everybody.
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The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
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For a Nabokov fan, paging through 'Fine Lines,' which includes a critical introduction and several essayistic evaluations of Nabokov's scientific oeuvre, can feel a bit like reading the second half of 'Pale Fire': one is confronted by a content-rich, almost dementedly tangential commentary on an increasingly inscrutable work.
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We still have tremendous work ahead of us to ensure that women have equal opportunities in the workplace and in our society.
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I understood that synergistic dance between photographer and object - 'muse,' if you will, 'model,' whatever you call us. It's that silent language of communication, like being psychic with each other.
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Frankly, to be honest, I hadn't worked for two years before 'Murphy Brown.' It's a nice illusion now to think of all of us as terribly successful and talented people at the top of our profession, but that's hindsight. I had to pray for a job like this.
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I think as long as you're being creative and finding your own work interesting, that's all that matters.
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It may come as a surprise, but Frou Frou was really like a kind of little holiday from my own work. Guy and I, we have always worked together, and then over the years, it became clear that we wanted to do a whole album together. It was very organic and spontaneous - just one of those wonderful things that happens.
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We live on the circumference of a hollow circle. We draw the circumference, like spiders, out of ourselves: it is all criticism of criticism.
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Everything, at first, is an idea, a special creation.
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When I was younger I thought I was an artist, and inspiration would just come to me.
