Yolande Cornelia "Nikki" Giovanni, Jr. (Nikki Giovanni) Quotes
I used to go up to her house. She lived upstate [in New York] and I lived in Manhattan; you're living in a lot of noise and my career was being built. For me to spend time with Nina [Simone] is to spend a lot of quiet time.
Quotes to Explore
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This is my favorite area in New York - the West Village is the heart of New York. I could never move somewhere else.
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I'm great at a deathbed. I've never given tranquillisers or psychiatric medicine. I've given love and fun and creativity and passion and hope, and these things ease suffering.
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I didn't start working out until college. But in college I could feel my body changing, and I knew that if I didn't make some changes, I was going to go in the wrong direction.
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You can't tag me as a regional actress.
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There might be 1 finger on the trigger, but there will be 15 fingers on the safety catch.
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My heart is mysteriously alive in the world of sounds - a totally different dimension from the daily life.
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I am not a Ph.D. in economics or a doctorate in literature that I can afford to take my singing lightly. Even if I sing a jingle, I take it as seriously as oxygen.
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El Salvador is a democracy so it's not surprising that there are many voices to be heard here. Yet in my conversations with Salvadorans... I have heard a single voice.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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One of the goals of the Feminist Elite is to reinforce to women the idea that men are obsolete.
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The thing about being an actor is that every new job is a new challenge. Sometimes you'll have a shot, and it doesn't work. Sometimes it'll work better than you expected.
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It is typical of women to fester and ferment over disappointments, slights, annoyances, angers, etc.
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Democracies can't handle austerity measures very well.
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The path that went by the little house had become a road. Almost every day Laura and Mary stopped their playing and stared in surprise at a wagon slowly creaking by on that road.
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It was fear. He didn't want to see a united Germany. Stalin made it clear to me – I spoke with him many times – that they couldn't afford to let Germany build up again. They'd been invaded twice, and he wasn't willing to have it happen again.
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The one indisputable reality of dictatorship is that dissent, insult, and malevolent language do not go unpunished if it is allowed at all.
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As an actress, as you get older, you find yourself in a situation where you play mothers or women who are hoping to be mothers.
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The first week Banks was with us, we knew he was going to be a star.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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'Alien' asked ground-breaking questions about eco-politics and female empowerment. 'The Matrix' delved deeper into the concept of perception versus reality than perhaps any other film I know. But for some reason, we tend not to remember the significance of their writing.
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An unmarried adult who cannot navigate the welfare system has no choice but to work, but a married working parent is constantly evaluating the relative merits of staying home with the kids versus bringing home that second paycheck.
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I guess I don't have a proper perspective on my fame; if I did, I don't think I'd like it.
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Our emotions are often beautiful, but they can also be dangerous. They represent our spontaneity, and seem to speak to us of our freedom.
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I used to go up to her house. She lived upstate [in New York] and I lived in Manhattan; you're living in a lot of noise and my career was being built. For me to spend time with Nina [Simone] is to spend a lot of quiet time.
