Alain Macklovitch (A-Trak) Quotes
What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
Quotes to Explore
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Cuba needs a dose of perestroika.
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Art breathes into life a surplus that is both vital and extraordinary.
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I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
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I don't see myself as ever being like anybody else.
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An alliance of civilisations can be our most powerful weapon in the fight against terror.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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I talk about myself in the third person all the time. I don't live my life in the way someone like you does. I live my life completely serving only my work and my fans.
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Skysurfing is skydiving with a board on the feet. You can imagine with this big surface of a skysurfing board, there is a lot of force, a lot of power. Of course, I can use this power, for example, for nice spinning - we call it 'helicopter moves.'
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Communism is not love. Communism is a hammer which we use to crush the enemy.
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Leeks, like other oniony things, reach a certain peak when fried. It's the subtle sweetness that suddenly becomes evident and works so well with their creamy texture.
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We love those who know the worst of us and don't turn their faces away.
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There were centuries when civilization had no theater.
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I'm privileged to have had some success, but I've never forgotten what it was like to queue for a half-crown gallery seat for 'Oliver!' which is why I ensure that there are £20 day tickets for 'Miss Saigon' and that the balconies in my theatres are as comfortable as I can possibly make them.
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When I was coming up as a kid, there were programs that kept me out of trouble and on the straight and narrow in South Central Los Angeles, and I always felt that when I got to a stage where I could provide similar opportunities to kids then I would do that.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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With a disaster like global warming, it's too late to worry about when it's looming except to figure out how to adapt to it.
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Fear was absolutely necessary. Without it, I would have been scared to death.
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I am proud of my kids and happy to brag about their achievements. Their success has been an immense source of happiness for me.
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I'm a fan of Bjork, a fan of Premier, you know, those are the first two names that come to my mind. You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.
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I was writing from the age of 10, and I was never really into going to discos and dances and stuff. I never told anyone at school that I did that because I feared it would alienate me even more.
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Songs can be Trojan horses, taking charged ideas and sneaking past the ego's defenses and into the open mind.
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But we wanted to work in a way we never had, which was write everything together. We had to face each other in the same creative room, which gets tougher as you get older, because you don't want to be confrontational.
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There are things that bother me. I try not to let them, but they do.
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What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
