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When I was growing up, we had cats, dogs, guinea pigs, rabbits, goats, chickens - a whole menagerie.
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When anyone recognizes you on the street, they are always very nice and genuine and excited to meet you.
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I used to play the trombone and the trumpet, which I still have, but I haven't picked up for a long time.
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I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
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The classic, 'Romeo and Juliet,' for me, is the iconic story of young love.
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I'd always gone to the theater as a child every month to see whatever was on. I think that's where the passion for it came from.
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I'm rediscovering Scotland; I'm falling in love with it again.
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I guess I'm quite practical. Or at least like to think I am.
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I love the outdoors. I love climbing mountains.
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I wholly promote the omelette as a meal whatever the occasion, especially your last one.
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Maybe I'm a glutton for punishment, but I enjoy anything where you get to flex your acting muscles, you get to really go for it.
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I love hillwalking and have been doing a lot of climbing.
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I do tend to lose myself in whatever job I'm doing or hobby I'm into.
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My best time is a 3:20 in Paris in 2010, and I trained to try for a 3-hour marathon in New York, but Hurricane Sandy hit, and it was canceled.
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Working on 'Outlander' has been a delight, it really has. I had kind of forgotten what Scotland was like, and I'd turned into a bit of a Londoner.
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There's definitely an interest in Scotland and what happened here. I think the rest of the world are fascinated by our history, and it's nice to be able to bring Scotland and our culture and music to the screen.
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'Outlander' is based on a group of books; there's a slight fantasy element to it, but ours is authentic - we try to stick to historical accuracy as possible. Ours is about a small group of people and a core relationship rather than big armies.
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You do have to learn how to wear a kilt, and it's certainly very liberating and very freeing, but surprisingly very comfortable to wear, to ride a horse in a kilt. I was surprised by that.
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I grew up in Scotland, and everyone wore Barbour. It's very practical; it's very outdoorsy. It's what the gamekeepers and the fishermen and the farmers would wear.
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Female clothing seems to be extremely difficult and almost like a puzzle for a man to take off. But I think if you get there, you win. A kilt is the complete opposite. The kilt is so easy to take off.
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People forget actors can adapt and change their appearance. In this industry, people sometimes cast to type, or as close to type as possible, but actors are a lot more versatile than you think!
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I spend so much time in front of mirrors as part of my job that I try to avoid them outside work.
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I think that what I'd like to instil is that if you join the youth theatre, it's a gateway into greater career prospects.
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'Outlander' is progressive in the way it looks at women.