Umberto Boccioni Quotes
To the Young Artists of Italy! The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.
Quotes to Explore
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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The iPod made music mobile, but today, how many devices do you need to walk around with? You want it on just one. And inevitably that's going to be the phone.
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The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
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Western countries in particular can today no longer be separated from Muslim societies, because they have them within themselves. They are themselves internally globalized.
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The universal practice of closing the eyes of the dead may be thought to have originated in the desire that he might be prevented from seeing his way.
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We show our faces to demand that politicians making promises stick to those promises. We show our faces to ensure that the youth of today will flourish tomorrow.
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Let us sacrifice our today so that our children can have a better tomorrow.
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Today people who hold cash equivalents feel comfortable. They shouldn't. They have opted for a terrible long-term asset, one that pays virtually nothing and is certain to depreciate in value.
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War grows out of the desire of the individual to gain advantage at the expense of his fellow man.
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Ambition is the immoderate desire for power.
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Today, fear of bloodshed is forcing us into recognizing new taboos: those of Muslims.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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We are Americans. We - we - we are - we are doctors. We are investment bankers. We are taxi drivers. We are store keepers. We are lawyers. We are - we are part of the fabric of America. And the way that America today treats its Muslims is being watched by over a billion Muslims worldwide.
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Today is the tomorrow I worried about yesterday.
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Instead of being taught independence, energy, and enterprise, our youth today is taught to look for security.
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I had a strong desire to become an archer from the very first time I tried it. I forgot my other ambitions. I just wanted to compete in the Olympics.
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It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
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I don't know what drives me, I don't have a clue, but I'm driven more today than I ever have been.
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The Sixties were different in an isolated place. We got two television channels if the wind was blowing in the right direction. The radio stations went off at sundown. Then you picked up Chicago and heard the teenage music you really yearned for.
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I think more civil society programs, more free enterprise, more contacts with their fellow brethren in Miami - that's good for the long-term, and that's an investment in America's long-term relationship with the Cuban people, not the Cuban government.
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One of the primary ways that astronomers study stars is to spread their light out into a rainbow, which we call a spectrum, and from that rainbow, we can learn something about what the stars are composed of and how hot they are, how bright they are, and how they're moving, at least how they're moving toward or away from us.
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Human beings are chimpanzees who get crazy drunk on power. By saying that our leaders are power-drunk chimpanzees, am I in danger of wrecking the morale of our soldiers fighting and dying in the Middle East? Their morale, like so many bodies, is already shot to pieces. They are being treated, as I never was, like toys a rich kid got for Christmas.
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To the Young Artists of Italy! The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.
