Huston Smith Quotes
Quotes to Explore
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When I was a kid, my mother used to film all of our holidays and all of the good times, and I kind of associated the camera with everything being okay and everything being happy.
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In New Orleans, music is part of the culture. You're raised with it, from the cradle to the grave, and all in-between.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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I started breaking out of my shell in sophomore and junior year.
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I'm sure that I don't know everything I want to know. I have so much more to learn.
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I remember praying for peace all the time as a kid.
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You have to open up on stage.
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Life is like a B-movie. You don't want to leave in the middle of it but you don't want to see it again.
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I am glad and thankful that my husband forced me to start reading for pleasure, as it took me years to listen to him and pick up a book!
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There is only one class in the community that thinks more about money than the rich, and that is the poor. The poor can think of nothing else.
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I would say that I am a poor Christian; I'm not a believer. It was this idea very early in my life that life on Earth, nature or man could not be a creation of a merciful God.
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We're not a family. We're the opposite of a family. We're people so lonely that when we're together we make a black hole of loneliness and everything else gets sucked down into it and is never seen again.
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I imitatea memory of beliefthat I do not own.
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The United States has the power to destroy the world, but not the power to save it alone.
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I always felt you could age with style and grace, or you could age in denial and hold on to issues and never push through.
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Somebody once said to me, 'If you want to be understood, don't write fiction.'
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Instrumental music can be about anything. It's about a mood, and I usually title my instrumental songs long after they're written. Sometimes I figure out the titles when I'm doing the CD package, and that's very common for a lot of people who write instrumental music.
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I was always ready to leave England for some absurd reason.
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The physicality of boxing is like nothing else.
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If you read the poets of the 19th century in Latin America, you would see that Havana or Mexico City or Buenos Aires are incredibly modern and global cities that they were not. And eventually they became real, and they became real because people read these books and tried to live in a better world.
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I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
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I've never been very practical or realistic - I've always felt that if a project seems easy, or even attainable, why pursue it?
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And nor should you. A true champion dreams only of the arena.
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All -isms end up in schisms.
