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It is difficult to know oneself, but it isn't easy to paint oneself either.
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If we study Japanese art, we see a man who is undoubtedly wise, philosophic and intelligent, who spends his time doing what? He studies a single blade of grass.
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I felt my energy return and that I said to myself, in any event I'll recover from it, I'll pick up my pencil that I put down in my great discouragement and I'll get back to drawing, and from then on, it seems to me, everything has changed for me.
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Exaggerate the essential, leave the obvious vague.
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I am not strictly speaking mad, for my mind is absolutely normal in the intervals, and even more so than before. But during the attacks it is terrible - and then I lose consciousness of everything. But that spurs me on to work and to seriousness, as a miner who is always in danger makes haste in what he does.
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If one truly loves nature one finds beauty everywhere.
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I see drawings and pictures in the poorest huts, in the dirtiest corner. And my mind is drawn toward these things by an irresistible force.
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The world concerns me only in so far as I feel a certain indebtedness and duty toward it because I have walked this earth for thirty years, and, out of gratitude, want to leave some souvenir in the shape of drawings or pictures — not made to please a certain taste in art, but to express a sincere human feeling.
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Christ is more of an artist than the artists; he works in the living spirit and the living flesh, he makes men instead of statues.
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I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.
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The only time I feel alive is when I'm painting.
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There certainly is an affinity between a person and his work, but it is not easy to define what this affinity is, and on that question many judge quite wrongly.
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Fortunately for me, I know well enough what I want, and am basically utterly indifferent to the criticism that I work to hurriedly. In answer to that, I have done some things even more hurriedly theses last few days.
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I have played hell somewhat with the truthfulness of the colours.
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No blue without yellow and without orange, and if you do blue, then do yellow and orange as well, surely.
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If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.
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I always dream a painting like that, with a group of lively figures of the pals.
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There is something intimate about painting I cannot explain to you ? but it is so delightful just for expressing one's feelings.
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If I did not succeed I still thought that what I had worked on would be continued. Not immediately. But there are others who believe in things that are true.
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Admire as much as you can. Most people do not admire enough.
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The emotions are sometimes so strong that I work without knowing it. The strokes come like speech.
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Van Gogh was so under appreciated in his time, he sold only one of his 900 paintings while alive. Posthumously, he became one of the most famous artists of all time and his work is now considered priceless. Oh the irony.
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I believe it is one's duty to paint the rich and magnificent aspects of nature. We need gaiety and happiness, hope and love.
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People are often unable to do anything, imprisoned as they are in I don't know what kind of terrible, terrible, oh such terrible cage.