Vincente Minnelli Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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Film has played such a big part in my life, in my impressions of the United States.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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It would be great to make a movie that had the style of a great '30's film.
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Being in a Woody Allen film. I cherish it.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I will be making films, and I'm going to keep working, no matter what I have to do. And I don't plan to ever ask for permission from anybody.
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It may not always feel wonderful. but you're out there doing it. You're running while others are just walking. Or sitting around. I mean, come on - you're out there running, for goodness sake. You're to be taken seriously.
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I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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Happiness is the moment when one doesn't feel pain.
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I see wonderful films by Bertolucci, Visconti, and Fellini.
