Virgil Abloh Quotes
My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.

Quotes to Explore
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I don't like losing a ballgame any more than a salesman likes losing a sale.
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I am the last guy that wants to quit making music.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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There's this really good line in 'Women in Love' where Ursula says, 'I always thought it was a sin to be unhappy.' And actually I think that's very common, it's what a lot of people feel - that you have an obligation to life to be happy if you can.
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What inspires me most to write is the act of traveling.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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Have common sense and stick to the point.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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When things are scary, or there's a struggle, I always think, 'How is this going to sound in my biography?' Sometimes I would just be living on protein shakes or the cheapest food that I could afford because I didn't have a lot of money.
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The sum of wisdom is that time is never lost that is devoted to work.
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From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.
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I'd love to have kids, but not at the moment.
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But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.
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All action is vicarious faith.
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There's simply no excuse not do a game about 'Blair Witch,' which has everything from the time-dimensional shifting to being chased through the woods. Kind of like the VR website experience where the woods shift whenever you turn.
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We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
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Great ideas, it has been said, come into the world as gently as doves. Perhaps then, if we listen attentively, we shall hear amid the uproar of empires and nations, a faint flutter of wings, the gentle stirring of life and hope. Some will say that this hope lies in a nation; others in a man. I believe rather that it is awakened, revived, nourished, by millions of solitary individuals whose and works every day negate frontiers and the crudest implications of history.
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When you're 8 years old, and you've become subconsciously familiar with the layout and design of Black Sparrow books, and you know the difference between Miles Davis and John Coltrane, something is bound to stick.
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A rational model of software is to design it quickly - the economic pressure to improvise presents an interesting challenge.
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We live in a sensate age. We are no longer governed by Faith, we are no longer governed by reason. We are governed by feelings.
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My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.