Virgil Abloh Quotes
My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.
Quotes to Explore
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I don't like losing a ballgame any more than a salesman likes losing a sale.
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I am the last guy that wants to quit making music.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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It's a tough transition really for theater actors to adjust to television or film, and all of these years later, I still have a tendency to play it too big.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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What inspires me most to write is the act of traveling.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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Have common sense and stick to the point.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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When things are scary, or there's a struggle, I always think, 'How is this going to sound in my biography?' Sometimes I would just be living on protein shakes or the cheapest food that I could afford because I didn't have a lot of money.
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The sum of wisdom is that time is never lost that is devoted to work.
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From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.
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I'd love to have kids, but not at the moment.
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But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.
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All action is vicarious faith.
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There's simply no excuse not do a game about 'Blair Witch,' which has everything from the time-dimensional shifting to being chased through the woods. Kind of like the VR website experience where the woods shift whenever you turn.
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We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
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In my books the technology that I choose to talk about has to serve the themes. What that means is that I end up having to cut out a lot of cool technology that would be really fun to describe and play with, but which would just confuse everybody. So in 'Amped,' I focus on neural implants.
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We don't want to be a design line. Ultimately, we want to be a platform that houses many design aesthetics.
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No one likes to work for free. To copy an artist's work and download it free is stealing. It's hard work writing and recording music, and it's morally wrong to steal it.
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My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.
