Xavier Durringer Quotes
The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
Quotes to Explore
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We need more people working in the publishing industry itself who are people of colour.
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I use other cookbooks for inspiration. I must say I tend to cook from my own cookbooks for parties.
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I've never been a really big fan of theatre. I don't know why. It's so much for effort. It's much more difficult for me than stage acting just because of the pressure that's piled on you and you have to learn the entire performance by heart.
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No one rises so high as he who knows not whither he is going.
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Communism, like any other revealed religion, is largely made up of prophecies.
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Perfect order is the forerunner of perfect horror.
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They're not shooting me for deserting the United Stated Army – thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.
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The reason I don't tweet as much as I used to, is because I'm sick of all the useless opinions and hate that I get daily. Goodbye Twitter.
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Unending was the stream, unending the misery, unending the sorrow.
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But, I couldn't live without creation gymnastics.
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People ask what my goal is. I don't have a goal.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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I love love stories, no matter how dark.
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I'd always wanted to write books ever since I was a kid.
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The doctrine of the Kingdom of Heaven, which was the main teaching of Jesus, is certainly one of the most revolutionary doctrines that ever stirred and changed human thought.
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Our responsibility as artists is to challenge ourselves.
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The bar is set pretty low if you want to be a hip, accessible conservative.
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Turbulence is life force. It is opportunity. Let's love turbulence and use it for change.
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I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.
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I've always felt that there's a Catskills comic who lives in my head and is constantly trying to get out. There's all these jokes that have been passed down from Jewish generation to Jewish generation, which I love but which I've always made fun of.
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I think I'm optimistic, yeah, especially in real life, but I think it's funny to be pessimistic.
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To be honest, I wasn't a sci-fi geek at all. But I do love a good sci-fi film, especially one that can really take you away. And I read some reality-bending novels growing up, like stuff by Vonngeut, so I already had one part my brain open to the unnatural and unusual, and it's generally fun to venture into that world and film in it.
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I think I just have a natural operatic aesthetic. I can't help it.
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The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
