Xavier Durringer Quotes
The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
Quotes to Explore
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We need more people working in the publishing industry itself who are people of colour.
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I use other cookbooks for inspiration. I must say I tend to cook from my own cookbooks for parties.
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I've never been a really big fan of theatre. I don't know why. It's so much for effort. It's much more difficult for me than stage acting just because of the pressure that's piled on you and you have to learn the entire performance by heart.
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No one rises so high as he who knows not whither he is going.
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Communism, like any other revealed religion, is largely made up of prophecies.
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Perfect order is the forerunner of perfect horror.
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They're not shooting me for deserting the United Stated Army – thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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The reason I don't tweet as much as I used to, is because I'm sick of all the useless opinions and hate that I get daily. Goodbye Twitter.
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Unending was the stream, unending the misery, unending the sorrow.
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But, I couldn't live without creation gymnastics.
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People ask what my goal is. I don't have a goal.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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I love love stories, no matter how dark.
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I'd always wanted to write books ever since I was a kid.
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The doctrine of the Kingdom of Heaven, which was the main teaching of Jesus, is certainly one of the most revolutionary doctrines that ever stirred and changed human thought.
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Our responsibility as artists is to challenge ourselves.
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The bar is set pretty low if you want to be a hip, accessible conservative.
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Turbulence is life force. It is opportunity. Let's love turbulence and use it for change.
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The tone is so important to a film, and that tone can really make something fall or succeed.
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In fact, I am a pessimist. But when I'm making a film, I don't want to transfer my pessimism onto children. I keep it at bay. I don't believe that adults should impose their vision of the world on children, children are very much capable of forming their own visions. There's no need to force our own visions onto them.
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The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
