W. S. Gilbert Quotes
Quotes to Explore
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You can never plan the future by the past.
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I wish I had the billions of dollars that George Soros has that he has used to fund Democratic causes in the past.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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The kitchen is where we deal with the elements of the universe. It is where we come to understand our past and ourselves.
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I've done stuff in the past and followed in the footsteps of my heroes, and each time, it felt a little bit surreal.
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I learned that the hardest party to pull off successfully is Saturday night dinner. This meal is expected to be elaborate: appetizers, first course, dinner, dessert, and coffee. People arrive at 7:30 or 8 p.m. and stay for hours - definitely past my bedtime - and they all go home exhausted.
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I don't like parties past 2 am. Then it's all losers and weirdos.
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It takes leadership to improve safety. And I started off the movement in my time, but the person who has done more over the past 20 to 30 years and who has led it is Professor Sid Watkins.
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When historians of early America turned from the pursuit of past politics, they devised a category known in the academy as 'social and intellectual history.' In it, they stuffed nearly everything except politics on the assumption, which the anthropologists assured them was correct, that it would all fit together. Somehow it did not.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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In my heart, I'm 100% real. You can't pull out nothing in my past that can say I'm not 100% real.
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The past is open to all sorts of magical possibilities because it can't be verified. It's as we make it, so it seems to be entirely free. It seems to be completely up for grabs. But of course it's not.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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We Muslims in the West, like Jews before us, grapple with the same issues that Jews of the past did: integration or isolation, tradition or reform, intermarriage or intra-marriage.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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Failure in the past does not nullify purpose in the future.
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My family is my biggest critic. Since they come from a non-filmi background, they give me an audience's point of view. They have been very supportive of me.
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Every one of us every day has choices to make about the kind of person we are and what we wish to become. You can decide to be someone who brings people together, or you can fall prey to those who wish to divide us. You can be someone who educates yourself, or you can believe that being negative is clever and being cynical is fashionable. You have a choice.
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Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.
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Strike the concertina's melancholy string!
