Natascha McElhone Quotes
My stepfather introduced me to The London Library when I was about 18; the clientele has definitely changed since then, but it is still a wonderful oasis in the middle of London.
Quotes to Explore
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Having an understanding of what's possible also makes me redouble my efforts to fight those who stand in the way of doing the things that my constituents and the country would want to get done.
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Following graduation from Amherst, a Woodrow Wilson Fellowship enabled me to test the depth of my interest in literary scholarship by beginning graduate studies at Harvard University.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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For me, opposition is just another opposition.
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Since my father was a superstar, without me knowing it, I became a child star, as my father's entire fan base liked me, and I can't thank my father enough for this, as it was so effortless.
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My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
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I love London, I love the British people.
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Nothing new here, except my marrying, which to me is a matter of profound wonder.
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Everyone at a party is uncomfortable. Knowing that makes me more comfortable.
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I never really wanted kids. I didn't not want them, but motherhood just wasn't something that pulled at me.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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For me, peace is a fundamental human right of every child; it is inevitable and divine.
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I can be more cold than people would like me to be.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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There's not a blueprint for me to follow.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
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I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it's the ideological framing of the debate that scares me.
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When you have a wonderful mother-in-law who takes sides with you in squabbles with her own daughter - that's something.
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There's a lot of unexpected things. Wonderful things, tough things, but there's always somebody just ready to pitch in. That's probably the heaviest thing, the constant amount of support because it makes you just want to do even better. It makes you want to do stuff for the fans, makes you want to do stuff for the people on the show. I love it.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
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My stepfather introduced me to The London Library when I was about 18; the clientele has definitely changed since then, but it is still a wonderful oasis in the middle of London.
