Quentin S. Crisp Quotes
On the other hand, the seventies were drab. That is, I am utterly fascinated by the fifties and sixties.
Quotes to Explore
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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We all have these challenges and stereotypes that exist, but you can't let that hold you down... If that's the first thing you think about as a black woman - the challenge that lies ahead - you are thinking in the wrong direction, in my opinion.
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I think you have to keep a childlike quality to play music or make a record.
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I loved math and science. It just made sense to me. But my hatred for world history has come to bite me in the butt in my adult years. Every show I have done professionally has required me to study the world in which my characters lived.
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I am in love with myself, with my friends, with my family, with kids, with life and my movies.
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If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.
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In a lot of ways, I wasn't a normal teenager.
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I had never used the prefix 'Dr.' with my name, but when I started with NASA, I had to. Otherwise, I could not get past the secretaries.
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If North American musicians would only know how uncomfortable life is for European musicians.
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If you're not kind, then you won't be attractive to me personally because that spirit shines through and makes people attractive.
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May Heaven be propitious, and smile on the cause of my country.
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I loved London. In the 1970s... it was very exciting, really wild.
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Around the world, climate change is an existential threat - but if we harness the opportunities inherent in addressing climate change, we can reap enormous economic benefits.
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You're not going to do good work if you're not choosing something because it inspires you.
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My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.
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I don't believe in an outside agent that creates the world, then walks away. But I feel very strongly there is an intelligence at work in every flower, in every blade of grass, in every cell of my body. And it is that intelligence that, I wouldn't say created the universe. It is creating the universe. It's an ongoing process.
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I just butcher a book. Everything I underline I assume is important to me.
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I'm a dilettante. My governing word is 'curiosity.'
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Good journalism is good business practice; good business supports great journalism.
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My stand-up is more like how I am in real life. I don't really do a character thing in stand-up. It's just a bunch of sentences that are supposed to be funny.
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The ear tends to be lazy, craves the familiar and is shocked by the unexpected; the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition.
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Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.
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Man is the only animal that blushes - or needs to.
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On the other hand, the seventies were drab. That is, I am utterly fascinated by the fifties and sixties.
