Natalie Portman Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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I think bad politics are incredibly dangerous, so it's important to make sure that people are communicating well. Culture and morale are super important. It's best to not force it, but let it happen organically and genuinely.
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I'm really excited about the prospect of deepening what is already a really strong relationship that I have with the people of Broward.
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Today people who hold cash equivalents feel comfortable. They shouldn't. They have opted for a terrible long-term asset, one that pays virtually nothing and is certain to depreciate in value.
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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I don't take it very seriously. You shouldn't let your success get to your head or failure get to your heart. This is most commonly said. But people don't really practise it. I don't see myself as a celebrity; it has not sunk in. I just see myself as someone doing a nine-to-six job like a techie.
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I have to thank the People, the Congress, and the Government of the United States for my liberation.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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Chinese people themselves, they really want change.
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People want to know where I'm going, and I just don't ever know.
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I know a lot of people who say they want to leave Tulsa and go off to L.A. or New York City. But I can't wait to come back to Tulsa. It's a great place to be.
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People aren't inherently sympathetic.
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When I was growing up, my white friends would call me: 'Hey, Chief!' Even when I go to work now, people call me 'Chief.'
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Somebody once told me, black people, in and of themselves, are cosmopolitan. There's cosmopolitanism within the black experience. There's an incredible amount.
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Dealing with those personalities and the people who run this music thing has been most challenging. It's hard to really communicate things to people who run a business yet forget the nature of the business. They only look at the bottom line and the financial return, you know, they forget what it is they're packaging. It's art.
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'Make your plate look like a Christmas tree,' I tell people, 'mostly green with splashes of other bright colors.'
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Our souls may lose their peace and even disturb other people's, if we are always criticizing trivial actions - which often are not real defects at all, but we construe them wrongly through our ignorance of their motives.
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People keep saying how amazing it is having a female lead, and I just sort of feel, 'Well, of course!'
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A lot of times, people think of selfish, and they think of offense, but you can be selfish on the defensive end of the floor, too. If you don't uphold your end of our schemes and your responsibilities within those schemes, then you're being just as selfish.
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The thing about artists is that they tell stories. I mean, some paintings are like novels.
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Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'
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Because we are in a war situation, this can sometimes be dangerous work. But guys like A.D. Flowers and his technicians just take it in stride and get on with the job. In four years, we've never had a serious accident or injury working with all the explosions.
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Sometimes people's reactions tell more about themselves.
