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The type of work I like is pure and simple and profound.
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I wasn't political enough to write articles about myself or go to cocktail parties, meaning that not only has my art been pirated and my intellectual property rights stolen, but my work has been misrepresented.
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They are works of art that can be considered works of art but don't have to be in the collection of the Metropolitan Museum.
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I make static art, not dynamic art. That's what I do.
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Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural.
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Landscape to me is a planar thing, just a view. Environment is everything down to the ecosystem. Big difference.
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A strong work of art really leaves people speechless. They feel a little angry because they don't understand it.
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I think size is the most unused quotient in the sculptor's repertoire because it requires lots of commitment and time. To me it's the best tool. With size you get space and atmosphere: atmosphere becomes volume. You stand in the shape, in the zone.