C. Douglas Payne Quotes
One of the tragic consequences of divorce is that the kids are legally obligated by the courts to spend a fixed amount of time with their dads. In normal families, dads and children happily ignore each other.
Quotes to Explore
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I've always - honestly - never thought of myself as an independent director.
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When I was going through puberty, I had all these feelings of being unstable through those years, and being uncontrollably drawn to things of beauty and things that are bad.
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I'm kind of obsessed with cool girls.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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The less you have, the more you enjoy.
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I grew up in California, and when I read that Proposition 8 was on the ballot, I was disappointed because it seemed to be inconsistent with the spirit of the state, with the independence and diversity of the frontier that California has always been.
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I make a lot of money and I'm worth every cent.
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You can't be around Oprah and not have her influence you, and I don't mean that because she's doling out the free advice. I mean it because she is someone that leads with truth and follows her heart. She's a force.
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You trivialize the idea of competition totally, then there's no point in having the competition in the first place, and everybody is getting a trophy.
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When you go back and really listen to the legendary rappers, this is timeless music. Guys like Biggie, guys like Pac, timeless music.
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A test of a people is how it behaves toward the old. It is easy to love children. Even tyrants and dictators make a point of being fond of children. But the affection and care for the old, the incurable, the helpless are the true gold mines of a culture.
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
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I saw that nothing was permanent. You don't want to possess anything that is dear to you because you might lose it.
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A great calamity is as old as the trilobites an hour after it has happened.
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Everybody has to look after their own economy and follow the rules.
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I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
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I wrote large chunks of 'The Impostor' and 'The Good Doctor' on a beach in Goa.
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I will only speak off the record about Debra Winger.
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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Recording a song for a film doesn't take much time; it's hardly an hour's job, but concerts are constant, and so is travelling, so I've to take time out to work on my albums because I'm passionate about creating my own music. When you love something dearly, you set your priorities accordingly.
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For me to go back and to play for audiences some of whom have been following me for thirty years and some who have found me in the last five or six years, that's really an interesting thing. I have an audience that goes from kids to seventy year olds.
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One of the tragic consequences of divorce is that the kids are legally obligated by the courts to spend a fixed amount of time with their dads. In normal families, dads and children happily ignore each other.
