J. Budziszewski Quotes
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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The reality is that I always envisioned the 'Riddick' franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
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One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.
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There's no mystery any more. So my instinct is to show very little, because there's much too much information about everyone, everywhere right now. Reality TV is an example of that.
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I'm half living my life between reality and fantasy at all times. It's best not to ask questions and just enjoy.
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Create a compelling vision, one that takes people to a new place, and then translate that vision into a reality.
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Fantasy is like an idealized reality, and the core of fantasy is the one person can make a difference.
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The inner reality of love can be recognized only by love.
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It's hard to do a reality show when there's so much crying and drama.
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I don't really understand what the public perception of me is. I think public perception and reality are two wholly different things.
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Human beings have a need, generally, to destroy things. The Freudian principle of civilisation is correct. There's always, always a difference between the family image and the reality.
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It's hard to strike that balance: to tell a kid that life isn't fair, but also recognize and enforce in them the reality that their choices matter.
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Reality TV looks more like America than movies do.
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People who watch 'Transporter' are maybe asking a little less about reality, being serious, and so on.
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I believe we can do more in making the President's vision for space exploration a reality by awarding cash prizes to encourage greater participation of the private sector in the national space program.
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Every reality show plot pales in comparison to our history.
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The 21st-century curator works in a supremely globalised reality.
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That's always an interesting concept when you try to make your dream into a reality and you come up against the facts of exactly what it is you're attempting to do.
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So we all got basically what we wanted, and as far as the women are concerned, he figured that 30 good women could handle a crew of 300 anyway. So that's how we ended up with our crew.
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When there's an authentic mystery, as opposed to just a question being asked, that's what makes you lean forward.
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The camera is as subjective as we are.
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Your worldview has to have the same shape that reality does.
