Carl Andre Quotes
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I'm a feminist. I've always been in favor of women.
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When I came to New York, it was cheap!
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We don't have a single point of view for a road at all, except a moving one, moving along it.
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I was never good at painting. The great turning point came when I had a block of wood and I carved a shape into the wood and put a small piece of timber into that space - like a negative - and so it made an endless column, only inward.
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I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.
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Art is what we do. Culture is what is done to us. A photograph of an art object is not the art object. An essay about an artist's work is not the artist's work.
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Art is an intersection of many human needs.
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Once you turn something into something, its universal usage is over.
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People are always trading their excess for somebody else's excess. One country has a lot of aluminum so they trade aluminum for sugar. It's the law of supply and demand.
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What do little kids do? They crawl on the floor and they build with blocks. I just continued to do that for the rest of my life.
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Americans understand better than the Europeans and the English that any publicity is good.
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By nature, I am a materialist... It is exactly these impingements upon our sense of touch and so forth that I'm interested in.
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The wood was better before I cut it, than after. I did not improve it in any way.
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If you're any good as an artist, you have to be doing something nobody else has interest in. Nobody would be interested in my work except a few crazy people.
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I never stopped doing what I did as a child.
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I grew up in a brick house. What's wrong with bricks? An Englishman took me aside and said, "You have to understand, all the bricklayers in England are Irish, and the English hate the Irish."
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The girls you picked up from the bars were not the girls you took home to mother.
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An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.
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I find that my greatest difficulty and the really most painful and difficult part of my work is draining and ridding my mind of that burden of meanings which I've absorbed through the culture-things that seem to have something to do with art but don't have anything to do with art at all.
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I didn't like men, but I liked women.