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I do believe there are leaders who are like lightning and they come along and they lead. The Lincolns of the world, the Alexander the Greats, they do exist. They have existed.
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When I was a child, I'd see a movie, I took it for what it was, I enjoyed it. And if I believed it I would tend to be more interested in knowing more about it.
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You're not a historian, but most historians will tell you that they make very discrete judgment as to what facts to omit in order to make their book into some shape, some length that can be managed.
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I'm terrible at horror movies, by the way. I get scared so easily.
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Money never sleeps.
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But I suppose film is distinctive because of its nature, of its being able to cut through time with editing.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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I'd like to do a story about the medieval ages where in every scene you'd sort of feel that you were in the 12th century. That would be great to get that feeling.
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I have the right to interpretation as a dramatist. I research. It's my responsibility to find the research. It's my responsibility to digest it and do the best that I can with it. But at a certain point that responsibility will become an interpretation.
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I do believe that movies are subject to a million interpretations.
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Never underestimate the power of jealousy and the power of envy to destroy. Never underestimate that.
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I would vote for the man who's lived life, who's done different occupations, who's been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I'd vote for experience, honest experience.
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But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.
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I never put out a history, I put out a dramatic history.
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I think experience will teach you a combination of liberalism and conservatism. We have to be progressive and at the same time we have to retain values. We have to hold onto the past as we explore the future.
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I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she'll appear in film and it won't work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don't know.
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I've been to war, and it's not easy to kill. It's bloody and messy and totally horrifying, and the consequences are serious.
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I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
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Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.