Wes Anderson Quotes
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
Quotes to Explore
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But we must create in each person a sense of responsibility in order that each one of us can have the right to enjoy all his rights.
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I've never experienced chronic pain myself, but I have known many people over the years who have.
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Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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I'm the eldest at 51, and if the Stones can drag themselves around once more, then there's a few more albums in us.
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Be skeptical of concepts that divorce war from its political nature, particularly those that promise fast, cheap victory through technology.
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I really love acting, but I also really want to be a historian, so it's really confusing.
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I want to know what it's like to play in a Super Bowl and win one. My career will be great without it. But, personally, selfishly, I want to know what it feels like.
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I had always dreamed of winning Wimbledon and when it happened it was very stressful. It was more of a relief!
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There's nothing wrong with looking like a woman and going in the workplace and doing everything a man can do but looking 1,000 percent like a lady.
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To hear of a thousand deaths in war is terrible, and we 'know' that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined.
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Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
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I've learnt more physics from Kabbalah than I ever did in school.
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Actors are conditioned to develop a system for expressing as much as they can in the shortest amount of time because you're going to get all cut up in a movie.
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'Anthem' was the record that almost didn't get made for a completely different reason than 'Underneath.'
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Teach For America was built on the idea that our best hope of reaching 'One Day' is to have thousands of alumni use their diverse experiences and ideas to effect change from inside and outside the education system.
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I'm lucky because I remember my dad showing me 'Independence Day,' and I loved it.
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Claghorn had long insisted that no human condition endured forever, with the corollary that the more complicated such a condition, the greater its susceptibility to change.
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As an actor, I have tried to do new things, and that's why I have done few films.
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Satisfaction isn't a state that comes easily to me.
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I was pre-med at Glasgow University. I was from a family who were of the mind that if you were clever enough to be a doctor or a lawyer, why wouldn't you be?
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I'm always trying to figure out what my taste is, what my likes and dislikes are.
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The lyrics aren't simple, either. They're extremely difficult because I'm trying to say complicated things in as few words as possible.
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If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
