Wes Anderson Quotes
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.

Quotes to Explore
-
But we must create in each person a sense of responsibility in order that each one of us can have the right to enjoy all his rights.
-
I've never experienced chronic pain myself, but I have known many people over the years who have.
-
Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
-
The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
-
I'm the eldest at 51, and if the Stones can drag themselves around once more, then there's a few more albums in us.
-
Be skeptical of concepts that divorce war from its political nature, particularly those that promise fast, cheap victory through technology.
-
I really love acting, but I also really want to be a historian, so it's really confusing.
-
I want to know what it's like to play in a Super Bowl and win one. My career will be great without it. But, personally, selfishly, I want to know what it feels like.
-
I had always dreamed of winning Wimbledon and when it happened it was very stressful. It was more of a relief!
-
There's nothing wrong with looking like a woman and going in the workplace and doing everything a man can do but looking 1,000 percent like a lady.
-
To hear of a thousand deaths in war is terrible, and we 'know' that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined.
-
Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
-
I've learnt more physics from Kabbalah than I ever did in school.
-
Actors are conditioned to develop a system for expressing as much as they can in the shortest amount of time because you're going to get all cut up in a movie.
-
'Anthem' was the record that almost didn't get made for a completely different reason than 'Underneath.'
-
Teach For America was built on the idea that our best hope of reaching 'One Day' is to have thousands of alumni use their diverse experiences and ideas to effect change from inside and outside the education system.
-
I'm lucky because I remember my dad showing me 'Independence Day,' and I loved it.
-
I don't want to be an action star, an action star's life is so short. I want my life to get longer, I want my career to get longer.
-
During the morning rush hour on March 20, 1995, the Japanese cult Aum Shinrikyo placed packages on five subway trains converging on Tokyo's central station. When punctured, the packages spread vaporized Sarin through the subway cars and then into the stations as the trains pulled in.
-
A writer wants something more than money for his work: he wants permanence.
-
The brutal regime of the dictator fell … the regime that ruled Iraq for decades, the decades of darkness. The decades that were of tyranny.
-
When I found out that Santa Claus wasn't real, I wasn't upset; rather, I was relieved that there was a much simpler phenomenon to explain how so many children all over the world got presents on the same night! The story had been getting pretty complicated -- it was getting out of hand.
-
We believe in the art of war. We are trying to get our competition to attack us with angry, virulent energy, so we can transform that into larger market share.
-
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.